Changing it up and the alumni art show

6 06 2010

Before releasing students for the holiday break from Art Center College of Design in Pasadena, where I received intense training in photography, the head administrator sat us down for a little chat.

He advised putting the camera away and treating ourselves to viewing and experiencing other forms of art for inspiration and stimulation.

The program was such that one’s creative juices were pretty much dried up by the end of the term. Five studio courses, 10 concurrent assignments due in two weeks at any given time, photo lab work until 10 pm six nights a week, and frank critiques. If one attended fresh out of high school with no college academics, then those classes were mandatory at night in addition.

Why, you might wonder, did I pick this school, in my 30s even. Because I admired several of its alumni who mentored me when I worked alongside them at the magazine. They were professional photographers at the top of their game, and I came to realize their training influenced the way they were, not just as photographers but as people.

To write blog posts, I like to examine any ongoing themes in my life. I wonder, is now a time for reorganizing? Remembering the art school advice to change it up, today I’m taking stock and reporting the other art forms I’ve experience in the past month or so.

A trip to the lighting showroom. I’m conscious of light: the amount of light, its direction, its quality. Lighting was not my strong suit in art school in that lighting a scene or set with artificial light was challenging. I did learn enough to recognize lighting differences, though I couldn’t always execute them, and I learned the lingo. I know what I like and don’t like about light, and I can tell you why. When I learned to paint, I learned more about the logic of light.

This month, after living a long time dissatisfied with a certain light bulb and dated fixture where I live, I am ecstatic that DH agreed to let the professionals fix the lighting deficiencies and non-design in our home. A trip to the lighting store and a very pleasant consultation with the designer Adir resulted in a solution that is a compromise between husband, wife, and pocketbook, but everyone is happy so far. It’s fun to look at an array of light fixtures, design catalogs, and photo books of interior design.

Moonlight Mele on the Lawn concert. Saturday night’s program of performing arts at the Bishop Museum featured the Tau Dance Theater, Kaukahi, John Cruz, Halau Mohala Ilima, Samadhi Hawaii aerial silk trapeze, and Ledward Kaapana. Each performed first-class numbers. Three of the groups were new to me, impressive and enjoyable. With summer here there are lots of concerts to choose from. Besides taking in the music, I noticed things like the visual form of the dance, costuming, lighting (again), sound, logistical set-up, and audience reaction.

Alumni art show. This isn’t the first year of an alumni art show at my high school, but it is the first time I’m exhibiting there. It’s open just a few hours during the alumni kick-off event this coming week and a couple of hours during the luau itself. I am planning to work the show, taking a look at other alumni artists’ artwork. Today I delivered the new still lifes, all at special Punahou alumni reduced prices. If  seeing the show June 10 or 12 interests you (the event represents about 30 artists), please contact me, and I will get back to you with information.

Going to Kauai. Plans to entertain visiting relatives include a trip to Kauai. It’s a brief two-day, one-night whirlwind tour of the island, and we’ll all be tourists. It has been so long since us local folks were last there. Hey, it’s summertime! You have to go somewhere!

Garden maintenance. Might sound boring and too much like work, but this is a type of meditation for me. Since pruning the hedge, I’m thrilled to see the ocean and the sky from the studio. The shorter hedge is in better scale for our lot and the street, there’s more air and light for both us and the neighbors, and more sunshine for the vegetable garden. In the renewed view plane ma uka (toward the mountains) I now see the fruit trees in the landscape beyond as well as two lava rock faces in the mountains.

Loving a parade or two. Kamehameha Day is observed this Saturday, June 12, from 9:30 a.m. to 1 p.m. with the annual floral parade, but I heard the route is changed from previous years. It will start on Ala Moana near Fort DeRussy and go in the ewa direction, turn right at Punchbowl street, then left on King street to Iolani Palace. This parade is the best opportunity to see the pau (pronounced pahh-oo) riders, women on horseback representing the various islands of Hawaii with their colorful skirts and elaborate floral lei. DH and I will put in some community service with Koolauloa Hawaiian Civic Club in the hot dogs-and-hamburgers booth on the palace grounds. The following day, June 13, I’d love to take in the Pan-Pacific evening parade, from 5 to 7 p.m. as it processes through Waikiki down Kalakaua avenue.

It’s a good time to change it up. I’ll see you!

Copyright 2010 Rebekah Luke




Momma and Dr. Usui said, honor and thank our teachers

27 05 2010

A shopper at last weekend’s Native Hawaiian Arts Market asked me if I considered myself a self-taught painter. “No is the short answer,” I replied quietly.

I believe in taking lessons, followed by lots of practice. I took lessons.

In the Hawaiian culture I learned everyone must have a teacher. Never mind you think you don’t need one, that you can do your own whatever. At least not in the beginning.

The first thing someone will ask is, “Who’s your kumu?” If you can say, “My kumu was ___ ,”  respect for your work goes up a notch. If you can’t, the response might be, “Uh-huh,” and you hardly will be given the time of day and wonder why.

Perhaps after working at it for a while, an artist will perfect his/her line and system and turn out creations that are identifiably theirs, but most successful artists have gotten a background of the universal principles and basic techniques prior to discovering how to manipulate the medium into something original and all their own.

Having a teacher gives your work credibility. It applies to more than just painting.

For example, at the opening of Oceania Exhibit at the National Museum of Ethnology, a.k.a. Minpaku, in Osaka, Japan, for which the museum built a replica of the Hale Kuai Cooperative store in Hauula to represent the Hawaiian Islands, Kealii Gora attended officially as cultural consultant, and I attended in my role as the real co-op’s executive director.

Ka Lahui Hawaii and yours truly co-founded the cooperative to buy and sell products made by Native Hawaiians.

Hale Kuai Cooperative caught the attention of Minpaku anthropology professor Akitoshi Shimizu, who led the project team. He felt it depicted a movement in economic development among indigenous Hawaiians in 1999.

The opening ceremony was hauntingly beautiful and Kealii’s oli (chanting) rocked the entire hall. Afterward a VIP guest confronted him and wanted to know “by what authority” Mr. Gora performed the protocol, along with a Maori representative from Aotearoa.

Interestingly, but not surprisingly, Kealii did not reply that he was an officer of Ka Lahui Hawaii (a de facto Hawaiian nation). That he most certainly was. He replied, “My teacher was Kumu John Keola Lake.” There wasn’t anything the guest could say after that.

Similarly, certified Reiki masters will identify their credentials by stating the genealogy of their Reiki line. I am 10th generation from Dr. Mikao Usui through Mrs. Takata. That brings to mind Dr. Usui’s precepts:

Just for today, do not worry.
Just for today, do not anger.
Honor your parents, teachers, and elders.
Earn your living honestly.
Give thanks to every living thing.

My mother, a piano teacher, taught me to remember and acknowledge my teachers. So I honor my teachers of art and Reiki by naming them here. Most of my teachers throughout my life were influential in some way, but these people made a loving impact.

Richard Nelson, Punahou School art history
Duane Preble, University of Hawaii at Manoa art history
Masao Miyamoto, University of Hawaii photographer
Michael Tamaru, University of Hawaii graphic designer
Glenn Christiansen, Darrow Watt, Norman Plate, Sunset photographers
Art Center College of Design faculty
Gloria Foss, The Foss School of Fine Arts, landscape painting
Vickie Kula, The Gloria Foss Color Course, studio drawing and painting
Susan Rogers-Aregger, Arts of Paradise gallery management
Alice Anne Parker, Reiki master
Lori Wong, Reiki master

Thank you for teaching me.

Copyright 2010 Rebekah Luke




View of the art market—what will tomorrow bring?

22 05 2010

Shall we pick this one . . .

... or that one up there?

No one bought much art today at the Native Hawaiian Arts Market, but there were plenty of art appreciators.  I am happy to show my work and talk about it with others. I met some very nice people, and some friends stopped by.

The artists are expecting a Sunday crowd tomorrow, the 23rd, at the Bishop Museum, on the last event day of Maoli Arts Month. (Please see two posts earlier for info.)

Miss Marvelous liked “Gas Pumps in Paradise,” an earlier work painted in 1993 of the 7-Eleven and gas station in Kaaawa the day Bula Logan led a sovereignty march along Kamehameha Highway.

The painting was part of my “Painting the Town” collection of all the public structures in Kaaawa: the post office, the fire station, the school, the bath house, the library (bookmobile), and two bridges.

I remember organizing with Pat, the then director of Swanzy Beach Park, an art show reception to open the new covered lanai for the park facility. I showed the paintings with environmental portrait photography of the people who worked in the buildings. The only advertising was a hand-painted roadside sign by the summer fun kids that read, “Everybody come.” And everybody did!  Times have changed.

Rather than keep “Gas Pumps in Paradise” as a leaner becoming shop worn in the studio, I’ve marked it down to $200.00, solid koa frame included. The amount is half the original price.

Miss Marvelous enjoys the art show with her mom

Copyright 2010 Rebekah Luke




Good friends from now on

19 05 2010

Alice Brown, 7, takes care of Miss Marvelous, 1, on the baby’s birthday.

What a pair! What else can I say? “Thanks for sharing” to Miss Marvelous’s grandmother who captured this precious moment of two beloveds. This scene is linked to my earlier post, “Before and after the party.”

Photo copyright 2010 Sue Hylton




Let’s meet at the Native Hawaiian Arts Market at the Bishop Museum

14 05 2010

Welcome Spring

Looking for a venue to show my paintings, I asked for and am granted a spot at a two-day Hawaiian native arts fair—the Native Hawaiian Arts Market & Keiki Art Festival. I can’t say how many artists are showing in this 5th annual MAMo (Maoli Arts Month) event, but anytime there is a gathering of Hawaiians expressing themselves it’s worth noticing, especially if one lives in the Islands. It’s a good thing to keep up with the host culture of where you live.

So please save the dates: May 22 and 23, Bishop Museum grounds, entrance on Bernice street between Kalihi street and Kapalama avenue in Honolulu, 9 a.m. to 5 p.m. Special admission (see below).

With Native fine art and craftmanship, art that is now and art that is part of our ongoing living history, one can appreciate how the indigenous, or maoli, peoples, are evolving and what we have to say about ourselves, our land, and the universe.

The artwork you see will be for sale. It is a joy to support Native Hawaiian made products in Hawaii. At the Arts Market buyers can know that the Hawaiian artists can keep all the money earned from their original creations, as opposed to giving a commission to a gallery. Several sponsors and grant makers, led by the PA‘I Foundation, make this possible.

My own paintings, the ones on the PAINTINGS link of this website and several new canvases, are in the studio in different stages toward completion, gearing up for this event. The last time I exhibited actual pieces in a public gallery was in 2007 in a group show with my hapa Chinese cousins at Gallery on the Pali in Nuuanu. So, I’m very excited to return to the art scene in Honolulu.

This week I’ll be signing, varnishing, framing, inventorying, and pricing the work while DH builds a few more display easels. DH is my main easel, and perhaps he will take a break from his Bishop Museum docent gig to join me in greeting you when you come next Saturday and Sunday.

You’ll have a fabulous time. Meet the artists and talk to them about their work. Bring $5 admission. That will get you into the Bishop Museum galleries including the new Hawaiian Hall, as well. Bring a lot more kala (money) to buy some art. Artists have to eat too. 😉 Thank you and all the organizers and supporters of Maoli Arts!

Copyright 2010 Rebekah Luke




Before and after the party

10 05 2010

Granddaughter’s birthday, Mother’s Day, visits from grandparents, aunties, and friends from across the ocean.

Hawaiian tradition calls for a celebration when a child turns one because, in olden times, many children did not survive the first year of life.  Thankfully, our family’s littlest one is healthy and thriving! Hauoli la hanau!

While the rest of the family opened the imu (underground oven) to take out the kalua (baked) pork, turkeys, and uala (sweet potatoes) for the luau celebrating her first birthday,

Opening the imu. It's hot!

Miss Marvelous and her Papa went for a morning walk along the beach.

Miss Marvelous and Papa

Let me! I'm one now!

Next day was Mother’s Day, and we took a relaxing drive to Mokuleia on the North Shore to see the polo matches. White team won 4-3.

Beach at Mokuleia

White team won 4-3

Copyright 2010 Rebekah Luke




Movies on a rainy day – these filmmakers are Hawaiian

2 05 2010

More and more indigenous Hawaiians are finding not only their voices but their audiences. I find that exciting. The Oiwi Film Festival opens today at The Honolulu Academy of Arts Doris Duke Theatre. The festival features the collective voices of Native Hawaiian filmmakers and runs through May 26, different movies on different days. Tickets are affordable at $8 with a dollar off for students, seniors and military. If you’re a member of the Academy of Arts, five bucks gets you in. I posted more information on kalahuihawaii.wordpress.com.