Congratulations to the Class of 2019

26 05 2019

Across America families are celebrating the graduation of young people from schools and colleges. Commencement ceremonies for The Kamehameha Schools take place today, and my friends the parents of Punia Sonoda-Pale wisely selected last night to throw him a party. This is how it’s done in Hawaii!

One of the nice touches were the lighted table centerpieces handcrafted by Punia’s family and friends. So clever and creative! Here is the graduate decorated with flower lei.

Punia Sonoda-Pale

I mua! Go forth!


18 05 2018

Aloha Studio Fans and Lava Junkies!

You all are following the current volcanic event at Kilauea on the island of Hawaii, right? Right?! It is the longest eruption there since 1924! Here is my recommended link to an awesome 24-minute video by the USGS geologists at Hawaii Volcanoes Observatory. “Kilauea Summit Eruption: Lava Returns to Halema‘uma‘u” is a calm and scientific explanation of the eruption. Let me know how you like it.

I, for one, am so very inspired by our Earth’s creation of new land. Gonna make art now!

— Rebekah

Ultra art in downtown Honolulu

7 03 2018

The second floor lobby at Pauahi Tower in Honolulu, at 1003 Bishop Street, is home until August 3 for a selection of original fine art by local artists.

The location is convenient for downtown office workers who might walk over during lunch hour for some quiet visual meditation.

The lobby with its high ceilings and window walls lends itself to large pieces. Consider that my “large” contribution of “Royal Archival Banyan” in oil is hanging in a beautiful koa display case.

Display case features both two- and three-dimensional works.

Glass case containing 2D and 3D art reflects high-rise downtown parking garage for a fourth dimension.

Unusual art that caught my eye were a collage by David Friedman, and three smaller pieces: a fish and a couple of decorated fishing floats.

Collage art by David Friedman

Spheres, one a former fishing float.


Windward Artists Guild and Wendy Roberts organized the exhibit entitled Ultra Exhibit I. Katherine Love was the curator.

For information about purchasing any of the art, please email Wendy Roberts at

If you go: Alii Place parking garage has reasonable fees. Enter from the right hand lane of Alakea street between King and Hotel streets. Pauahi Tower is one block from Alakea on Bishop street.


The art goes on on the Windward side

3 10 2017

The Windward Artists Guild’s current exhibition at Hoomaluhia Botanical Garden’s Visitor Center main gallery features the visual art of 49 of its members through October 28. It is open from 9 am to 4 pm daily.

A reception will be held from 4 to 6 pm on Saturday, October 21, when visitors may meet the artists.

The entrance to the garden is at the end of Luluku Road between Pali and Likelike highways in Kaneohe, Oahu.

It’s beautiful show.

My “Royal Archival Banyan” (top center) is making the gallery rounds, but this is the first time with the Windward Artists Guild.

Paper collage is among the variety of art media.

“Birdsong” in stoneware by Dagmar Kau

Intriguing 3-dimensional works

“Stormy” raku ceramic by Barbara Guidage

Many of the art works are for sale. Contact Cynthia Schubert at

I love this whimsical triptych “Les Trois Parapluies” by Cindy Mochel-Livermore. Too bad it’s NFS.


Relaxation at Bellows Beach Park

5 09 2017

Bellows Beach Park at Waimanalo, Oahu, remains a favorite picnic venue for local folks. Here is my photo record of a most relaxing day with friends this Labor Day. Lucky we live Hawaii.

Joe and Girly’s gang at Bellows every Labor Day and Memorial Day. It’s a standing invitation. Sun, surf, shade, barbecue, libations, music all day long.


The Moku Lua punctuate tints of veridian, cobalt, and ultramarine of the sea and sky.


Restful tideline

Bodysurfing anyone?


Bellows is popular with families.




The view toward Makapu‘u with skies so clear we could see Moloka‘i, Lana‘i, and Maui islands in the distance beneath the clouds.


Catch a wave!


Salmon belly on the grill


Roasting veggies


“‘Okole Maluna” means “Bottoms Up.”



Mahalo e Ke Akua.

Shadows on the carriageway

21 12 2015

For a memoir of Oahu and Waikiki, this image of Leahi (Diamond Head) and the carriageway in Kapiolani Park may be for you. It is available now for your consideration. The path, familiar to island residents like these Sunday painters, is lined with ironwood trees and extends from the Bandstand to the tennis courts. $250 with hardwood frame. $200 unframed. VISA and MasterCard accepted. For delivery information, please email

"Shadows on the Carriageway" 20" x 10" giclée on canvas

“Shadows on the Carriageway” 20″ x 10″ giclée reproduction on canvas of an original oil painted in 2013 by Rebekah Luke

The gardener as artist

17 11 2015

This is the first weekday morning in 40 weekdays that I didn’t hear a gentle knock on the front door signaling the arrival of the new, cheerful, smiling gardener. Instead, I am greeted by a light warm rain on the newly landscaped yard, a work of art completed yesterday.

Allow me to set the stage. My injured hand, from “overuse,” prevented me from tending plants as before. DH and I had the mature mango and avocado trees cut back, as we need to do every two or three years, because they are close to the house. That let in more sun, and then there fell a lot of rain. The best way to describe the resulting look was, we lived in a jungle.

I searched for a person to clean the yard—because as wise daughter says, “Hire the professional”—but I could not find anyone who was willing or who would show up way out here in the country. If the yard was already cleared of its jungle-y aspects, fine, perhaps someone could keep it trimmed. Word got out that I was looking, and two of my Hawaiian lady friends recommended their man.

They had good things to say. “Oh, he could probably do your yard in a day.” “He’s a hard worker.” “He works in the sun.” “Now he comes just once a month; that’s all that’s needed.” “Give me your number, and I’ll have him call you.” Great!



Enter Hailama, a sturdy Hawaiian from Kahana Valley, who said he would work every day “’til pau (finished),” that meant a 5-hour day, rain or shine. Touring our jungle, I attempted to describe the original garden plan, now obscured with the overgrowth, and Hailama asked, “What do you want to keep?” Ah, a new perspective!

We agreed to keep the mango, the avocado, and calamansi trees for the fruit they produce;  the vegetable-and-herb boxes; the red hibiscus for their petals used for Mexican jamaica tea; and the kou tree, ginger, and ti plants to make lei. We wanted to keep as much of DH’s native Hawaiian plant collection as possible.

One of the features of the land we mālama (care for) is that there is not much soil. Only rocks. A lot of rocks. We are near a stream, and some people think our street is where the stream used to be, because it lines up with a natural ocean channel. I think so, too. It turns out that Hailama loves to work with rocks, or pohaku in Hawaiian.

Mauka side yard has a new, curving rock border with a cascading variegated green/white/purple cover in front of a new red hibiscus hedge that will grown up like the mature hedge on the right against the wall. Upper left: breadfruit tree. Middle right: alahe‘e tree. Foreground: a sitting rock.

This garden path has a curving rock border with a cascading variegated veridian/lavender/purple cover in front of a new red hibiscus hedge that will grow up like the mature hedge in the middle background of the photo. Upper left: breadfruit tree. Middle right: alahe‘e tree. Foreground: one of the “sitting rocks.” Red ti leaf accents.

Starting at one corner and then proceeding to the next adjacent area, in a continuous flow, Hailama took advantage of a blank canvas to transform the garden. Every day brought a new surprise. For the most part, he worked with what was already on the property, relocating and rearranging the elements with new lines and shapes. In doing so, he made room for energy to flow freshly.

“What is your vision?” I asked. “I don’t know,” he shrugged. Looking up and moving his arms from above his head and down the sides of his body, he said, “Every day I ask God, and He helps me.”

Detail of garden path. After the mature hibiscus hedge (left) was trimmed to half its height, the tops were made into cuttings to form a new 25-foot-long hedge (top of photo).

Detail of garden path. After Hailama trimmed the mature hibiscus hedge (left) to half its height, so I could see the waterfall again from my studio window, he saved the tops and made cuttings to form a new 25-foot-long hedge (top of photo).

We started to have small discussions. He liked flowers. I liked food. “Do you like color?” he asked. “Yes, and pathways and focal points.” As he worked, Hailama began to re-grade the lot. He liked curves, where previously there were straight lines. In the way he used the rocks he dug up from the ground, the garden started to look zen. That I liked!


Every rock is hand-picked, considered for its “face” and painstakingly set into the ground by hand. A row of the veridian-lavender-purple plants is on the lower terrace for a color repeat. Behind it is a row of white ginger that will eventually take hold; Hailama brought them from his own garden. In the background, Hailama trimmed the old panax hedge to a manageable height for maintenance.


Fronting the panax hedge in alternating plantings are flowering red and pink ginger and ti leaves of various colors. Upper right: raided veggie and herb beds. Foreground, ʻaeʻae ground cover around the base of the avocado tree.

Fronting the panax hedge in alternating plantings are flowering red and pink ginger and ti leaves of various colors. Upper right: raised veggie and herb beds. Foreground: ʻaeʻae ground cover around the base of the avocado tree. Hailama explained the rock borders will prevent a weed whacker from cutting the plants. He designed the new garden for ease of maintenance.



View of the front entry from the street. Paths meander around the calamansi tree (foreground), sweet potato and aloe beds (middle ground), and the kou tree. The trees are pruned to resemble lollipops. You can see the windows of my second-story studio.

Weʻre looking forward to a carpet of green grass in the back. The brown lath will extend down from the deck. the "keepers" are the avocado tree, left, and the mango tree, at right.

We’re looking forward to a carpet of green grass in the back. DH went to buy grass seed today. The brown lath will extend down from the deck for a nicer backdrop for the border of colorful ti. The “keepers” are the avocado tree, left, and the mango tree, at right.


Curving steps

Hailama took great pride and pleasure in designing the curving steps to the mango tree. One of the large rocks is a piece of coral that he found while digging the surface. The steps leading to the banana are also coral!


Coral rocks found on site


One of several sitting stones

The rest of the story is that ours is the first property that Hailama has completely re-landscaped. He said, joyfully, “I am making this garden as if it is my own! This is the best one I’ve done!” Indeed, it is Hailama’s Garden. What a beautiful, extraordinary labor of love. The creatures love it. We love it. Our visitors will love it. Hailama is our angel, our new friend, and DH and I are so blessed and so very thankful! Mahalo piha, a hui hou, mālama pono!

(Copyright 2015 Rebekah Luke)

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