Hawaiʻi Loa Kū Like Kākou mural

8 10 2011

Native Hawaiian fine artists Harinani Orme, Meleanna Meyer, and Kahi Ching work on the "Hawaiʻi Loa Kū Like Kākou" mural at the Hawaii Convention Center.

A mural painting in progress at the Hawaii Convention Center in Honolulu is something for the whole community to see and appreciate. Hurry on down.

I watched the artists at work yesterday, intrigued with the program, the content, and the painting technique.

The mural is being created in response to the upcoming APEC (Asia-Pacific Economic Cooperation) summit conference here Nov. 7-10. The title “Hawaiʻi Loa Kū Like Kākou” means “All Hawaiʻi Stands Together.”

At this time five Native Hawaiian artists and kumu (teachers) — Kahi Ching, Solomon Enos, Al Lagunero, Meleanna Meyer, and Harinani Orme — and four alaka‘i (apprentice leaders) are working collectively on it following the ideas and insight from 22 haumana (students) of public, private, charter, and Hawaiian immersion schools and others. Many hands and hearts are touching this work. The mural consists of many layers of inspiration, thought, and paint.

Shad Kaluhiwa, who has a disability, holds his paintbrush with this teeth.

As the artists added the warm colors yesterday, and as I sat and continued to look at the painting, I kept seeing different things. The form of an ʻauamo (pole used to carry and balance burdens across the shoulders) was being visually turned. I noticed it curved, like the curvature of Earth, for then I saw the profile of continents and islands.

From there, Earth images, sky images, plant images, people images, spheres, fish, line and dot. Intertwined and intriguing. Beguiling in a charming way.

I mused, “I see.”

WHEN YOU GO: The mural painting is on the ground level underneath the escalators and next to the waterfall, through Oct. 11. It will be installed (I don’t know the exact location) Oct. 17-19, according to a printed fact sheet. Parking at the convention center costs $5 flat rate.

Copyright 2011 Rebekah Luke




Disney imagineers run with Native Hawaiian art and culture

6 10 2011

Congratulations to the “imagineers” of Aulani, the new Disney resort and spa in Leeward Oahu, for its Hawaiian theme, for doing the proper research, and for making art by Native Hawaiians so prominent in their design for this project. I took a ride out there today with my girlfriends, and we were impressed and grateful for what we saw. First off, we’re greeted by a lo‘i kalo (taro garden).

There was an obvious collaboration among local artists that has resulted in the largest showcase of contemporary Native Hawaiian art. This accomplishment is huge. From BIG architectural elements to the smallest details in interior decoration, we were pleasantly surprised at the thought and creativity incorporated into the design. Kudos, also, of course, to the artists!

I won’t tell you everything, and I’m not posting a lot of photos. I would rather you experience this venue yourself. Disney has managed to marry a family theme park with serious art and tasteful design. School’s out this week, and many Island families are “stay-cationing.” They’re really enjoying themselves. And it looks like Aulani becomes more magical at night with the Disney lighting effects.

Our Native Hawaiian artist friend Harinani Orme designed this architectural panel and two others of different images for the exterior. This is what I mean by BIG!

The ocean is right there, but there is so much to do within the hotel complex that you don’t notice it. It’s not the main attraction. Instead, guests can play with a sting ray, snorkel in a man-made reef pool, float around on a big inner tube, or frolic on the top of a man-made waterfall. I heard there’s a Menehune Adventure Trail that’s pretty cool to explore. Neat regular swimming pools, too.

There weren't too many people on the beach or in the ocean, but it was a pretty view.

When we got hungry for lunch we selected the ‘AMA‘AMA restaurant for its table service. We were aware the daily newspaper did not give the eateries at the Aulani a very good review last week. The food critic thought the menu was unimaginative and the food so-so. But I lucked out. I ordered the “plate lunch” that was a chef special of the day, and here’s what I got!

This "plate lunch" appeared on a tray like a Japanese kaiseki meal. Fresh locally grown field greens, including slices of watermelon radish, poke (raw fish), pork tonkatsu with curry sauce, and perfectly steamed white rice. $16.

My favorite place was Aunty’s Beach House, that is essentially a child care service. Aunty’s side is for ages 3 to 5 and was classic early childhood education curricula that I’m familiar with, and very well executed.

Uncle’s side includes the “garage” for older children and provides activities, computer games, movies, etc. of interest to them. When we were there, Aunty and Uncle had just left. I could hear through a key hole something about washing the dog!

In Aunty's living room, "cast member" Kawena (in green shirt) talks story with my friends Pi‘i, Gene, and Moeata. Our tour was delightful.

Copyright 2011 Rebekah Luke




My oil paintings year by year

4 10 2011

In my second year of oil painting, I did "Kalama Beach" on a canvas panel. 18" x 24". Ariel Krape Hylton Collection. © 1990 Rebekah Luke

Just a few more electronic images to gather, and my Retrospective Collection of paintings will be complete — for the time being. Most of it is installed at Rebekah’s Studio.

I presented “Kalama Beach” to my step-daughter about 20 years ago. When I went back to photograph the work for this collection, I saw I had attached an “artist at work” snapshot of her watching me paint at this very spot. (Sigh.) Time and place. Perhaps Miss Marvelous will inherit the piece one day.

To view more of the collection, just click on https://rebekahstudio.wordpress.com/retrospective-collection. It’s another look back! Thank you for visiting!

Copyright 2011 Rebekah Luke




Pampered by a fried egg sandwich

27 09 2011

It’s easy for me to feel pampered down at the fishing pier.

10:30, after my workout in Kāneoʻhe, in the mood for a late breakfast, I stop at He‘eia Pier once again. I’m monitoring my food intake for several reasons, but today, after reading the menu, I feel I can have an egg: Fried Egg Sandwich $4.

But like I said, I’m pampered.

In a few moments Chef Mark calls out: Rebekah, would you like anything else on it? Some cheese?

Me: Um, no, do you have any lettuce?

Chef: Tomato would be good.

Me: Okay!

Chef: A little mayonnaise?

Me: No thanks, and please hold the cheese.

Now why, you might ask, don’t I just fix my own egg sandwich at home?

On a beautiful day in Hawaii like today, I can sit at the outdoor picnic table on the waterfront and be mesmerized by the Ko‘olau Mountains I love to paint and the sound of the sea lapping the shore. I can eavesdrop on the old-time regulars and watch the boats come and go to drop off and pick up polite Japanese tourists. It’s peaceful.

When my order comes out, I see beautiful food art neatly cut in two triangles. I don’t have to step up to the pick-up window for my plate. Chef delivers it personally to the table.

Bread toasted perfectly, just how I like it. Egg fried perfectly, but not greasy, with just the tiniest bit of runny yolk. Tomato slice and sprigs of . . . purslane!

I would have shown two thumbs up when Mark checked back—it seems he always makes it a point to acknowledge the customers—but one hand was putting the sandwich in my mouth. And I’m sorry, I ate everything before I thought of taking a picture.

WHEN YOU GO

• Be willing to park on the far side of the boat ramp and walk if there are no spaces closer. The Deli is open for breakfast and lunch, closed on Monday.

• Have no expectations except to expect to wait for your order. Allow yourself to be surprised. He‘eia Pier Deli is not a fast food joint. It’s the most welcome addition to local cuisine kicked up a couple notches where the chef and crew take care of windward Oahu residents.

• Feel good that you are supporting the local Hawaiian economy.

Copyright 2011 Rebekah Luke




Remaking an oil painting

11 09 2011

As an oil painter I’m often asked, “How long does it take to finish a painting?” In the same vein artists will remind each other, “You have to know when to stop.” We like to avoid overworking a piece.

My “Clouds Lifting Over Lanihuli” demonstrates these points. First is a photo of the painting mid-way, in the field. On a clear day, there are no waterfalls in the scene, but just after a big rain when the clouds lift, there they are! To paint en plein air I headed to this place to study the scene when it was raining, time after time. I took this snapshot from the trunk of my hatchback where I’d taken shelter.

In the field, in the rain

I wanted so much to finish the painting. Below is what I published, i.e., what I thought was ready for market, a few weeks ago. Oils take a long time to dry—up to six months before they can be varnished. In the meantime I can look at a painting every day. As I kept staring at this piece (it’s staged above the TV cabinet) something bothered me. It wasn’t finished.

Not quite finished

I decided to correct the areas of the painting that were “wrong.” In a representative piece, although it is impressionistic (I label my style as “impressionistic representationalism”) I want to paint a scene so that it looks logical.

To really finish and complete this painting, I did three things:

1) I added pigment to the center clouds area to hide the waterfall behind it.

2) I widened the same center waterfall at the bottom because it is closer to the viewer (and so should appear larger).

3) In addition, by very very carefully scraping with the long edge of a palette knife, I knocked down some objectionable relief areas I originally painted of the mountain ridges at the top and touched up the clouds to make them softer and smoother looking.

“Clouds Lifting Over Lanihuli” looks better now. I hope you agree!

Finished: "Clouds Lifting Over Lanihuli," 16" x 20" oil on canvas

Copyright 2011 Rebekah Luke




Clouds lifting over Lanihuli

5 08 2011

I wonder if it is true that in olden times the waterfalls of windward Oahu ran all the time. Olden times meaning before water was diverted to the Ewa plain for sugar cane and land development. At the present intersection of Kahekili and Likelike highways, while waiting at a red light, a rain storm typical of our wet season had just stopped and the clouds lifted to reveal a spectacular scene of the Koolau mountains. I was on my way to Hoomaluhia Botanical Garden at Luluku and made up my mind to hold the vision in my memory so I could paint it. For in just a few quarters of an hour the sun came out again and the waterfalls disappeared.

"Clouds Lifting Over Lanihuli" 16" x 20" Oil on Canvas (unfinished)

UPDATE, September 11, 2011: As you will see in my 9/11/2011 post, I have made some changes to this painting, and I think you may like the finished work better. Thanks for visiting Rebekah’s Studio.

Copyright 2011 Rebekah Luke




Green and healing

15 07 2011

The Transpac yacht race is nearing the finish line, and I’ll be delivering some boat lei today. But first I have to make them. One is 20 feet long! I gathered the lauae yesterday afternoon from my patch.

Lauae patch

This morning while it’s cool I’m picking the ti leaves. I’ll be putting the lei together all day long. The boats, racing from Los Angeles, finish at Diamond Head buoy and then cruise into Ala Wai Boat Harbor in Waikiki. The first boats have already finished, so I’d better get busy.

Then, tomorrow from 9 to 2 I’m giving Reiki sessions at the Kaneohe Yacht Club Green Market Day while DH, Miss Marvelous’s mom and family will be showing folks how to make a ti leaf lei. We’ll be in the longhouse.

Ti leaves. Easy to grow, and so many uses!

Ti leaves

Copyright 2011 Rebekah Luke