Disney imagineers run with Native Hawaiian art and culture

6 10 2011

Congratulations to the “imagineers” of Aulani, the new Disney resort and spa in Leeward Oahu, for its Hawaiian theme, for doing the proper research, and for making art by Native Hawaiians so prominent in their design for this project. I took a ride out there today with my girlfriends, and we were impressed and grateful for what we saw. First off, we’re greeted by a lo‘i kalo (taro garden).

There was an obvious collaboration among local artists that has resulted in the largest showcase of contemporary Native Hawaiian art. This accomplishment is huge. From BIG architectural elements to the smallest details in interior decoration, we were pleasantly surprised at the thought and creativity incorporated into the design. Kudos, also, of course, to the artists!

I won’t tell you everything, and I’m not posting a lot of photos. I would rather you experience this venue yourself. Disney has managed to marry a family theme park with serious art and tasteful design. School’s out this week, and many Island families are “stay-cationing.” They’re really enjoying themselves. And it looks like Aulani becomes more magical at night with the Disney lighting effects.

Our Native Hawaiian artist friend Harinani Orme designed this architectural panel and two others of different images for the exterior. This is what I mean by BIG!

The ocean is right there, but there is so much to do within the hotel complex that you don’t notice it. It’s not the main attraction. Instead, guests can play with a sting ray, snorkel in a man-made reef pool, float around on a big inner tube, or frolic on the top of a man-made waterfall. I heard there’s a Menehune Adventure Trail that’s pretty cool to explore. Neat regular swimming pools, too.

There weren't too many people on the beach or in the ocean, but it was a pretty view.

When we got hungry for lunch we selected the ‘AMA‘AMA restaurant for its table service. We were aware the daily newspaper did not give the eateries at the Aulani a very good review last week. The food critic thought the menu was unimaginative and the food so-so. But I lucked out. I ordered the “plate lunch” that was a chef special of the day, and here’s what I got!

This "plate lunch" appeared on a tray like a Japanese kaiseki meal. Fresh locally grown field greens, including slices of watermelon radish, poke (raw fish), pork tonkatsu with curry sauce, and perfectly steamed white rice. $16.

My favorite place was Aunty’s Beach House, that is essentially a child care service. Aunty’s side is for ages 3 to 5 and was classic early childhood education curricula that I’m familiar with, and very well executed.

Uncle’s side includes the “garage” for older children and provides activities, computer games, movies, etc. of interest to them. When we were there, Aunty and Uncle had just left. I could hear through a key hole something about washing the dog!

In Aunty's living room, "cast member" Kawena (in green shirt) talks story with my friends Pi‘i, Gene, and Moeata. Our tour was delightful.

Copyright 2011 Rebekah Luke




My oil paintings year by year

4 10 2011

In my second year of oil painting, I did "Kalama Beach" on a canvas panel. 18" x 24". Ariel Krape Hylton Collection. © 1990 Rebekah Luke

Just a few more electronic images to gather, and my Retrospective Collection of paintings will be complete — for the time being. Most of it is installed at Rebekah’s Studio.

I presented “Kalama Beach” to my step-daughter about 20 years ago. When I went back to photograph the work for this collection, I saw I had attached an “artist at work” snapshot of her watching me paint at this very spot. (Sigh.) Time and place. Perhaps Miss Marvelous will inherit the piece one day.

To view more of the collection, just click on https://rebekahstudio.wordpress.com/retrospective-collection. It’s another look back! Thank you for visiting!

Copyright 2011 Rebekah Luke




Pampered by a fried egg sandwich

27 09 2011

It’s easy for me to feel pampered down at the fishing pier.

10:30, after my workout in Kāneoʻhe, in the mood for a late breakfast, I stop at He‘eia Pier once again. I’m monitoring my food intake for several reasons, but today, after reading the menu, I feel I can have an egg: Fried Egg Sandwich $4.

But like I said, I’m pampered.

In a few moments Chef Mark calls out: Rebekah, would you like anything else on it? Some cheese?

Me: Um, no, do you have any lettuce?

Chef: Tomato would be good.

Me: Okay!

Chef: A little mayonnaise?

Me: No thanks, and please hold the cheese.

Now why, you might ask, don’t I just fix my own egg sandwich at home?

On a beautiful day in Hawaii like today, I can sit at the outdoor picnic table on the waterfront and be mesmerized by the Ko‘olau Mountains I love to paint and the sound of the sea lapping the shore. I can eavesdrop on the old-time regulars and watch the boats come and go to drop off and pick up polite Japanese tourists. It’s peaceful.

When my order comes out, I see beautiful food art neatly cut in two triangles. I don’t have to step up to the pick-up window for my plate. Chef delivers it personally to the table.

Bread toasted perfectly, just how I like it. Egg fried perfectly, but not greasy, with just the tiniest bit of runny yolk. Tomato slice and sprigs of . . . purslane!

I would have shown two thumbs up when Mark checked back—it seems he always makes it a point to acknowledge the customers—but one hand was putting the sandwich in my mouth. And I’m sorry, I ate everything before I thought of taking a picture.

WHEN YOU GO

• Be willing to park on the far side of the boat ramp and walk if there are no spaces closer. The Deli is open for breakfast and lunch, closed on Monday.

• Have no expectations except to expect to wait for your order. Allow yourself to be surprised. He‘eia Pier Deli is not a fast food joint. It’s the most welcome addition to local cuisine kicked up a couple notches where the chef and crew take care of windward Oahu residents.

• Feel good that you are supporting the local Hawaiian economy.

Copyright 2011 Rebekah Luke




This is Waipao (part 2)

25 09 2011

Hau cordage in the making. Hawaiians scrape to clean hau fiber by hand.

HAU KAULA (CORDAGE) WORKSHOP WITH KEN CHING

The foundation of native Hawaiian culture consists of the ability to fill three needs: containers to carry things like water and food, flaked stone for cutting, and cordage to fasten. These were necessary to build a Polynesian voyaging canoe that reached the Hawaiian Islands.

With that important bit of information, Ken Ching on Saturday showed a group of us the native Hawaiian way of making cordage from the bark of the hau tree (Hibiscus tiliaceus L.).

We gathered at Waipao, the site of Papahana Kuaola, on the banks of Haʻikū Stream on Oʻahu. The Papahana Kuaola organization is all about involving the community in environmental restoration and economic sustainability, while integrating native Hawaiian knowledge. Its activities center on cultural and natural history. It’s wonderful, pono (right), and maika‘i (good)!

Making cordage by hand is a way to learn about olden attitudes of living, said Ken. When one went for a walk, for example, it was to look for materials that were useful and could be appreciated.

Here is my photo record of the day. You can pretend you were there, or perhaps you would like to learn more about Papahana Kuaola from its website and visit there yourself.

I came away with a little feeling of what it was like to live in olden times. I thought, maybe this is how it used to be and can still be if we live with Hawaiian values, learn from our kūpuna, and be thankful and kind to each other. I was happy for the people who are restoring the ʻāina (land) of Waipao.

First are some images of this place, the ʻili (small land section) of Waipao in the ahupuaʻa (land division from the uplands to the sea) of Heʻeia, Oʻahu.

Hāʻikū Stream at Waipao

Terraces and pohaku (stones) near the stream

Loʻi kalo (taro gardens) in different growth stages. Notice more land being cleared in the distance. Lunch included a delicious stew made with foods grown at Waipao.

The band of green across the equator of the photo is the hau thicket from where we gathered the raw material.

Into the forest we went to cut hau ʻili kea (young branches with light-colored bark).

Freshly sawn hau branches waiting to be stripped of their bark

Our kumu Ken Ching demonstrates the right way and the less desirable way to pa‘e (strip) hau bark.

Peel away both the outer and inner bark by pulling down and "close to" the branch (as opposed to "away from") and from the top down, our kumu said. Discard the inner branch. (The leaves in the background are ʻawa (Piper methysticum), not hau.)

Kahi the wale (scrape the slimey goo away). Ken sets the bark on a 2 x 4 and scapes it using long strokes from top to bottom, pressing hard. Fresh water, such as from a stream or city faucet, will result in a brown fiber. To preserve the whiteness of the fiber, use salt water to soften and wash away the wale (looks like mucus).

Shell scraper to comb out the wale (slime goo) of the bark.

L to R: Improperly stripped hau bark; mid-way stage of scraping; still slimy and not white enough, i.e., there are more brown areas left to scrape out.

Back indoors and after some lunch Ken showed us how to grade the fiber and twist it into cordage.

Ken Ching with a bundle cleaned hau fiber ready for twisting into cordage.

Separating the fiber and preparing to twist into cordage. Clue: You roll the fiber between your palm and your thigh with one hand, and twist with the other. It takes some practice.

Kaʻalua na kaʻakolu: Our kumu Ken made this beautiful hau cordage. He made more like it for the double-hulled sailing canoe Hawaiʻiki. It was an honor to learn from a master.

Copyright 2011 Rebekah Luke




This is Waipao (part 1)

24 09 2011

Hāʻikū Stream at Waipao

I went to Waipao today. So fulfilling. Waipao is an ‘ili (small land section) of  the ahupua‘a (land division extending from the uplands to the sea) of He‘eia on the island of O‘ahu. A Hawaiian cultural educational organization named Papahana Kuaola offered a workshop in how to make cordage from the bark of a hau tree (Hibiscus tiliaceus L.). An old friend, Ken Keola Ching, was the kumu (teacher). DH, my friend Piʻi and I had not seen Ken since our days together in Hale Kū‘ai Cooperative, so that was another reason to go.

The band of green across the middle of the photo is the hau thicket from where we gathered the raw material. Beyond are the Koʻolau Mountains.

Our kumu Ken Ching demonstrates the right way and the less desirable way to pa‘e (strip) hau bark.

In my next post I’ll show more photos of the ‘āina (land) where Papahana Kuaola is working on environmental restoration and sustainability while integrating traditional Hawaiian knowledge.

You’ll see the fun we had learning how to make hau kaula. It was a lot of work and gave us a greater appreciation of the culture and the days of old.

It was a first for me—turning hau plant fiber into cordage. Reflecting on the day’s activity, I can say, I made it myself!

Copyright 2011 Rebekah Luke




Four wild pigs

22 09 2011

Never know what’s in store for me when I go into the landscape to make a painting. This morning these wild pigs enjoyed the area at Luluku as much as I did.

Copyright 2011 Rebekah Luke




Lanikai on display at Pauahi Tower

20 09 2011

I've never had my art displayed in a glass case before. Love it!