What I did on my summer vacation

20 08 2013

Lotus at Buddha Buddha ©2013 Rebekah LukeSo very fortunate am I to have experienced the genius of two brilliant teachers in performing arts this month.

I learned from among the best, if not the best, in their craft: Rod Eichenberger, for choral conducting, and Mark W. Travis, for play-writing and acting.

How about that for “what I did on my summer vacation?!” 🙂

The creative voice in me said to seek out their coaching to develop my skills in music and writing.

I had taken their workshops once before, so I knew ahead of time I liked their methods and that they would not let me fail.

The music workshop was in Cannon Beach, Oregon, and the writing workshop was in Hauula, Oahu.

I decided to invest the time and the tuition. I left the studio and family behind for a few weeks for the adventure. Please know I am not looking for a job or a new career. Rather, I find it exciting to learn new things. In the end, it is satisfying to know that I can do it, thanks to excellent and caring mentors.

Going back into the classroom at my age was healing as well. In Reiki terms, “healing” means “the feeling of being whole.”

I recommend to anyone interested in singing and choral work at any level, or writing of any kind, that they learn technique from Rod and Mark. With many, many years of professional and teaching experience, both men have a following of disciples that enrolls annually.

The workshops were full when I inquired, but at the last minute spaces opened up, and I was invited to attend. I was lucky and so very grateful.

The Choral Conductors Professional Development Workshop with Rod Eichenberger is described in my earlier post.

In Mark’s new class “Write Your Life/On Your Feet,” he teaches students how to convert a biographical short story to a script, how to develop characters, and how to stage a show. He applies his experience as a film director and his knowledge of camera angles to staging actors for a live audience. He directs the characters, not the actors.

Both mentors will show you successfully how to get rid of any bad habits in performing and show you new tricks. At the end of five days you will be transformed! That’s what they promise, and they’re right. Each and every time.

Thanks to George Fox University and Alice Anne Parker for sponsoring these fantastic and amazing opportunities.

Next stop: L’Italia! Please check back in September when I’ll be posting from Toscana, Roma, and Napoli! ~ RL

Copyright 2013 Rebekah Luke




Greetings from Cannon Beach, Oregon!

3 08 2013
My choir sisters Susan (from left), Melissa, Anne-Marie, and me in pink under the iconic 235-foot Haystack Rock, Northern Oregon coast.

My choir sisters and new friends Susan (from left), Melissa, and Anne-Marie . . . and me in pink under the iconic 235-foot Haystack Rock, Cannon Beach, Northern Oregon coast.

For an update, please scroll to the end of the post.

Last night the Choral Conductors Workshop with Rod Eichenberger culminated in a concert in which I was one of 20 master class conductors. It was my conducting debut, and what a fabulous choir to direct for my very first time: about 130 choral directors and music educators from around the country.

They came to learn from the master, who’s perfected a method of “what they see is what you get” conducting. Generally speaking, the singer will mirror, with his/her vocal chords, the body movements of the conductor. It’s so fascinating to watch and hear, makes perfect sense.

I first met Rod Eichenberger in Honolulu at a similar workshop.

That experience gave me the idea that this was something I could learn to do and add to my skills set. It’s never too late to learn something new. As Rod told his class, he makes it a point to learn something new every day.

In class, Rod is looking for what he can correct in my conducting.

In class, Rod is looking for what he can correct in my conducting.

I decided to invest in the workshop and travel costs, treating myself to a change in scenery and a vacation to visit relatives at the same time. The people at the workshop were very supportive and responsive. I was so humbled by the combined talent and dedication of the whole group.

On the first day I selected from 180-plus pieces of music “Cherokee Amazing Grace,” arranged by James E. Green, to conduct. The melody is the same as the familiar hymn “Amazing Grace,” a tune I know. The lyrics were in Cherokee. I liked that they were native. Translated into English, they are:

“God’s Son paid for us. Then to Heaven He went after paying for us. But He said, when He rose. “I’ll come again” He said when He spoke. All the earth will end when He comes All will see Him all over the earth. All the good people living He will come after. Heaven always in peace they will live.”

This is the Cherokee national anthem.

According to the program notes:

“During the Trail of Tears in 1838-39, the Cherokee sang Christian hymns “Amazing Grace” and “Guide Me, O Thou Great Jehovah” in their native language while incarcerated in stockades and while being marched westward. Over one third of the twelve thousand Cherokee died in the infamous Nunna dula Tsuny (Trail Where They Cried), or ‘Trail of Tears.’ During this terrible trek, families sang songs in the traditional language to locate their kin and to bring comfort to the grieving. The Cherokee language and songs held the people together. Cherokee people still sing these songs to acknowledge the experience of their ancestors during the Trail of Tears.”

Thank goodness for basses: my choir buddies on either side of me in the back row, Bert and Omaldo

Thank goodness for basses: my choir buddies on either side of me in the back row, Bert and Omaldo. We had assigned seating, with the voice parts SATB all mixed up. That’s my empty chair in the middle. I’m an alto.

Carol Rich, accompanist extraordinaire, at the Steinway

Carol Rich, accompanist extraordinaire, at the Steinway

Me, conducting the dress rehearsal on the day of performance with violin, percussionists, soloist, and choir. Half of the choir and the soloist are not pictured. Cannon Beach School Gymnasium, Oregon.

Me, conducting the dress rehearsal on the day of performance, with violinist, percussionists, vocalist, and choir. Half of the choir and the soloist are not pictured. Cannon Beach School Gymnasium, Oregon.

Please check back here at Rebekah’s Studio in a few days. As soon as the video of the concert is available, I will post a link. UPDATE: http://vimeo.com/album/2482420/video/72009256

Thank you everyone. I feel the love!

The Choral Conductors Professional Development Workshop with Rod Eichenberger is sponsored by George Fox University.

Copyright 2013 Rebekah Luke




Up and coming, oh, it’s here!

11 07 2013

Hello studio fans!

Three events to alert you to, from closest to farthest to in-between:

•  The Farm Fair this weekend at Kualoa Ranch, Oahu, July 13 and 14

•  Eric Whitacre’s Virtual Choir 4 premier in London on July 13

•  The Prince Lot Hula Festival at Moanalua Gardens, Honolulu, on July 20

"Kamaipuupaa" 24" x 18" original oil on canvas panel by Rebekah Luke

“Kamaipuupaa” 24″ x 18″ original oil on canvas panel by Rebekah Luke

I’m excited for all three, but this morning Eric Whitacre released his VC4 to everyone in the choir. I’m in it! What I want to know is, can you hear me? Can you see me? Let me know, okay? Here is the link, and as Eric says, “Please watch in HD and for the love of all that is holy TURN IT UP.” The VC4 officially premiers at 6 p.m. Saturday at the Coronation Festival in London before the Queen. It feels good to me for being a tiny part of this project of world music.

Closer to home is the delightful Hawaii State Farm Fair and 4-H Livestock Show down the road at Kualoa Ranch. Please click on the link for details if you want to go. Maybe I’ll see you there. When we told Miss Marvelous’s family about it, they said, “Aww…” They remembered what a good time they had (they’re in Italy now). Here are my photos from two years ago.

Thirdly, please save July 20 for the Prince Lot Hula Festival, a day-long program of wonderful Hawaiian dance, arts, crafts, and food at the beautiful Moanaloa Gardens. I will have a booth there with my oil paintings and some lower-priced reproductions of “Kamaipuupaa,” my image of the earthen mound that is the stage the hula dancers perform on. Moanalua Gardens is one of my favorite places to paint.

This is a good opportunity to see and purchase my work — originals, giclée, and art prints. DH and my friend Pi‘ikea will join me with custom-made ukulele and t-shirt designs. Look for Booth #50, that is in the furthest corner from any of the entrances, easy to find! Again, please click on the links for details. I hope to see you!

Copyright 2013 Rebekah Luke




In my back yard it’s swingy and jazzy

1 07 2013
Jazz guitarist and bass player Robert, who is the proprietor of Uncle Bobo's BBQ restaurant in Kaaawa

Jazz guitarist and bass player Robert, who is the proprietor of Uncle Bobo’s restaurant in Kaaawa. (Rebekah Luke photo)

Sometimes it takes an effort by someone in the community to remind us how very privileged we are to live and work in Kaaawa. And to remind us there are attractions right in front of us in our own back yard.

This past Sunday afternoon it was by Robert and Keiko of Uncle Bobo’s Smoked BBQ restaurant, who organized a 19-piece big band as well as a jazz guitarist from Japan to play for  residents and guests for free.

What a show! The review from Sunway and Joerg, the professional musicians and music producer in my party, was that this big band could fill any room with an appreciative audience. No doubt our town would welcome that kind of event at least quarterly, and it would be good business for Uncle Bobo’s.

BBQ al fresco and big band sounds at Uncle Bobo's

Smoked BBQ al fresco and big band sounds at Uncle Bobo’s. (Rebekah Luke photo)

I live in the middle of the Pacific in a comparatively rural (not urban) neighborhood on the windward side of Oahu island. It’s a 20- to 25-minute car ride to the nearest supermarket, and 45-55 minutes to reach Honolulu or Kailua in the middle of the day. Most everyone who lives in Kaaawa has a long commute to somewhere several times a week.

It’s “far,” by island standards.  But we love it because it’s what we call country. Kaaawa’s stunning mountain and ocean scenery and proximity to the base camp of TV shows or movies shot in Hawaii make it a favorite choice for location managers of the movie industry.

Low tide at Kaaawa

Low tide at Kaaawa

We like the quality of life. Kids play outside, they walk or bicycle to school, roosters crow, dogs bark, folks fish and grow food, and we play music on the back porch. You can walk along an empty beach or on the back roads, and everyone you pass will say hello. It’s mostly local families, not visitors, who use the park and beaches on the weekends.

For services, our town has a public school, a post office, a gas station, a 7-Eleven, a fire station, an EMS station, beach parks with restrooms, and Uncle Bobo’s—a diner that’s had the longest run in all of my nearly 30 years here.

Above all we are thankful for the gift of community.

Yesterday it was happening. People came from all over. Uncle Bobo’s put up tents for shade, and the kitchen was hopping with non-stop orders. There were music stands with Uncle Bobo’s logo on it, big band style. We listened to long sets while munching on brisket or pork ribs or Kualoa Ranch beef burgers with avocado. Tent campers packed Swanzy Beach Park across the street, more so than most weekends, but amazingly people managed to find parking, and there was plenty of toilet paper in the women’s restroom at the park for the crowd.

We watched the world go by on Kamehameha Highway. I saw a limo pull up and a parade of old Fifties cars. Motorcycle clubs too. My neighbor and friend Andrea tirelessly circulated a petition to “keep the country country.” I bet she collected a lot of signatures. I met Lisa, all grown up now, who lived in our house as a girl; she introduced herself to me. Nora who played piano for our glee club for a while said “hi” and that she was playing piano in the band earlier. Wow, they sounded great! Thank you, Uncle Bobo’s!

Pretty soon it was time for my cousins and friends to walk back to the studio, and Sue regretted not bringing her camera, because she wanted to capture the majesty of the mountains—the ones that are right in my back yard.

The view of Makaua Valley and mountains at Kaaawa from Swanzy Beach Park

The view of Makaua Valley and mountains at Kaaawa from Swanzy Beach Park. (Rebekah Luke photo)

Copyright 2013 Rebekah Luke




Thank you, Eric Whitacre and team!

11 06 2013

I am one of eight singers from the Hawaiian Islands who joined Eric Whitacre’s Virtual Choir 4 to perform his “Bliss.” The premier will be on July 13 in London. There are 5,797 voices on the map, and mine is one of them! 🙂

Virtual Choir 2013





Story, laughter, song

11 05 2013

Today’s post honors The Story. And a newly found twist. The Song.

My adult life work has been all about story—finding and writing it for the daily news, crafting ideas for a magazine, supporting college faculty with features, writing ad copy.

From the pen I gravitated toward photojournalism and photographic images to tell stories. Environmental portraiture, or people in their surroundings, became my forté for a time.

My Hawaiian landscapes in oil have no people in them. They represent scenes of which viewers may create their own stories. I paint pictures of places where you might have been and want to remember, and of places where you might rather be.

Three unrelated gifts support The Story, and I pass them on hoping they will inspire you as much as they have inspired me.

Tomorrow is Mark W. Travis‘s 70th birthday, and he is observing his big year with a trip around the world to continue his fine work as a film director and teacher of film directors and playwrights. Happy birthday, Mark! Hope to see you in the Islands.

Twice I took Mark’s Solo Autobiography workshop. I think he calls it Write Your Life now. Aside from drilling the class in clever techniques, Mark has the uncanny skill of listening to my lines and pinpointing the exact vulnerable spot in my heart that needs exploring. The real story. He stabs it right away, then twists deeper to that place where I don’t want to go. Unhhh. But that becomes the start of writing authentically. And it’s very healing.

I stopped going to his classes—too much crying—and he acknowledged, that’s okay, as long as you keep writing. I follow him on Facebook and read his blog, which is where I came across the second gift:

A story about an African tribe. It’s here: http://thegodmolecule.tumblr.com/post/48146343226/here-is-a-tribe-in-africa-where-the-birth-date-of

Since I’ve tuned in to my own music, writing down the melodies in my mind, this intrigues me. It suggests Song before Story. I hope you will click on the link to read the article. When Mark Travis swings by here in August, he will teach “Write Your Life/On Your Feet” for the first time, coaching the performance and delivery of autobiographical material. I’m on the waiting list.

Thirdly, I must point you to Playing Your Hand Right – Showing America How to Live, the funniest and sexiest writing I’ve ever read. Fact or fiction, seriously real or lovingly poking fun, it doesn’t matter, it’s hilarious! Oh, the stories! Definitely XX-rated. Damn educational if you’ve been sheltered and just read newspapers. Haha! Taylor Oceans is the author who “liked” and “followed” my blog (and everyone else’s) to attract readership to his. He says he needs to amass a following to prove to a publisher his work is successful, so he can make some honest money and buy his dream sailboat. At least that’s his story, and I say he’s there. Apologies if you find his writing offensive. It makes me laugh.

My take-away is that we always have Story. The best ones make you Laugh. But how about we listen more closely and tune in to our Song.

Copyright 2013 Rebekah Luke




Last night

31 03 2013
 
Moonlight sonata
wakes me at three forty-five
streams in my window
 
Silence of peacocks
differs from the night before’s
loud cacophony
 
In the cool stillness
I fall back into dreamland
until rooster crows.
 
Copyright 2013 Rebekah Luke