Native Hawaiian Arts Market 2013

25 05 2013
Bernice P. Bishop Museum, Hawaii

Bernice P. Bishop Museum, Hawaii. Native Hawaiian artists will gather here this weekend. (Photo credit: Wikipedia)

Good morning! It’s the beginning of a big weekend and I sincerely hope yours will be fine, as in the finest. I am getting things together for the Native Hawaiian Arts Market at the Bishop Museum in Honolulu where I’ll be on Sunday, May 26 – yikes, that’s tomorrow! – from 9 a.m. to 5 p.m. with my oil paintings. (It’s on today until 7 p.m., however I will not be there until tomorrow.)

Some of the paintings are newer than the ones pictured in “Paintings” and “Retrospective” – please see the menu tabs above. I will have originals and giclée reproductions too.

Miraculously, a space for me to exhibit was secured only yesterday after I got a call. But I’m a pro and I’ll be ready to greet you if you come. If you like my art, I will work with you so that you can own it! Special admission for kama‘āina residents is $5. If you have not visited Hawaiian Hall, where DH is a docent on Fridays, this will be a good time to do that too! Worth it!

The entrance to the Bishop Museum is on Bernice Street in Honolulu. I’ll let you know how it goes. I am so grateful for this opportunity at this venue. Thank you! Mahalo e ke Akua! See you soon.

Miss Marvelous enjoys the art show at the Bishop Museum in 2010. Painting is now with a private collector. I have new ones to show at tomorrow's Native Hawaiian Arts Market!

Miss Marvelous enjoys the art show at the Bishop Museum in 2010. She lives in Italy now. The painting on the left is now with a private collector. I have new ones to show at tomorrow’s Native Hawaiian Arts Market!

Copyright 2013 Rebekah Luke




Kamaipuupaa, the Prince Lot festival hula mound

22 02 2013
Painting en plein air

Painting en plein air

One of my favorite sanctuaries on Oʻahu is Moanalua Gardens where I went with my students to paint en plein air earlier this month. A pleasant place to rest, picnic, and entertain, it is privately owned but open to the public. I find it peaceful and healing to go there.

We can go there for free during daylight hours most days. It is popular with young families, pre-school groups, Japanese tourists, artists, and lovers. That sounds busy, but the park is large enough that you can find a spot for yourself. Lucky for us at least a bit of the area of the cultured Gardens remains, for it used to cover three times the area. Imagine the beauty back when.

Every July, the day-long Prince Lot Hula Festival draws an audience of about 10,000 people who relax in the shade of the trees and enjoy viewing the dance by invited hula hālau (troupes) on the outdoor hula mound. This year the event is scheduled for Saturday, July 20, 2013, from 9 a.m. to 4 p.m.

On three outings there this month, while busloads of Japanese tourists came to photograph the famous Hitachi tree (Hitachi, Ltd. pays for the rights to use the image of the grand, old monkeypod tree as its logo), while the gardeners operated their loud maintenance equipment, and while the elementary school children next door enjoyed their recess, I could still find my zone to paint the hula , romantically back-lit by the morning sun.

Japanese visitors come to see the “Hitachi tree” and have their photo taken in front of it.

Moanalua pond

A koi pond adjacent to a loʻi kalo (taro garden) attracts ducks, youngsters and photographers. The banyan in the background is just one of many mature trees here.

My finished painting “Kamaipuupaa,” 24″ x 18″ oil on canvas panel. The grassy hula mound is the venue for the annual Prince Lot Hula Festival at Moanalua Gardens in July. If you plan to go this summer, please verify the date in local news media.

Copyright 2013 Rebekah Luke




Hawaiian morning

20 02 2013

Sunrise©2013RebekahLuke

“The lovely blue of sky and the sapphire of ocean…,” wrote R. Alex Anderson in his “Haole Hula.” That’s what greeted me on my morning walk today. Alice Brown and Pua met our neighbors Meda and Ian with squeals. Ian always has biscuits for them. Down the way the fishermen already had their poles out, and I wondered if it would be the gusty wind or the fish that would ring the bell.

Linds©2013RebekahLuke

Fishing pole ©2013Rebekah Luke
fisher © 2013 Rebekah Luke

Copyright 2013 Rebekah Luke




The feeling of a red-letter day

4 02 2013

When I have a red-letter day, like Saturday was, I try to try to savor and remember the feeling. It’s sweet incentive for living and loving life to the fullest. Then I may be open to welcome the next time. Because the feeling is amazing.

To that end, I’ve decided to turn over another leaf by resisting the urge first thing in the morning to reach for an electronic device to see what happened overnight while I was sleeping. I will wait until after I practice tai chi—currently the saber set, breakfast without the TV news or the sound of a ball game, and a walk with the dogs on the beach. I will eat healthy foods, exercise, and meditate.

Saturday began with three neighborhood girls and one boy arriving at the studio at 8 a.m. for their first art class with Aunty Rebekah. I am offering the same basics to youth as to my adult Bucket List painting students: ball, cube, cylinder, and cone. The kids were great and kept me on my toes. It was nice to have 10-year-old-boy energy in the studio.

His mother wondered if perhaps he wouldn’t like the class if he was the only boy. For the exercise of drawing a ball, Jefferson filled a balloon with water and inflated it. Of course, the balloon eventually popped, but we agreed beforehand he would have to clean it up. I think he likes the girls.

A couple of the kids hadn’t eaten breakfast, so I’m glad I had two oranges in the set. When I cut them into slices to show ellipses, their eyes grew wide with appetite, and we all had a refreshing snack. The dogs Alice Brown and Pua were in heaven during recess with all the attention. Later, to get the kids to finish their drawings, I brought out some cones—sugar cones that DH thoughtfully bought when he saw me searching for a cone shape for the lesson—and a carton of ice cream.

“What is this?” I asked. They shouted, “Cone!” “And what is this?” I followed, scooping out vanilla. “Ball!”  Mission accomplished. 😉

Then I went to play at the annual Punahou Carnival. It’s the famous fund-raising event of my alma mater where I perform with the Punahou Alumni Glee Club, sometimes provide paintings for the Art Gallery, and work in a booth with my classmates. Punahou School is super organized and makes money for the student financial aid program—how my parents could afford Punahou for me—by getting the junior class, their parents, and the alumni to donate goods and volunteer their labor.

I adore the camaraderie of the glee club, not to mention the chance to sing and dance. We rehearse weekly, and our director is skillful at getting our choir to peak for our performances. We sounded good and had an enjoyable time with the music.

The Class of ’67 . . . what can I say, except that we are tight. For example, Christine flew in from Arizona just to help serve laulaus for 3 hours. Every year we rendezvous at the Carnival to see each other briefly, hear our classmate Henry Kapono Kaaihue entertain in the cafeteria, and then go our separate ways again. It’s so nice to see everyone.

That would have been plenty, but the surprising joy of the day was the sale of my paintings by the Art Gallery! It was exciting! I painted the scene of the Ko‘olau Mountains from the spot where I go often with my painting group. It began on a spectacular clear day with hardly any clouds to hide the top ridge. The panorama was breathtaking, and I decided to turn it into a diptych of two horizontal paintings side by side.

“Lanihuli Diptych” is my most recent art work. I didn’t plan on taking anything to the Carnival because I’d not been successful in sales any previous years there. But my glee sister Tamson Fox, a full-time fine artist, reminded me in January the event was coming up. I’m so grateful to her for changing my mind.

Still giddy with delight and with my new earnings burning a hole in my pocket, I headed to the Diamond Head end of the midway and bought myself a present—a bling-y Pāʻani top with a night-blooming cereus flower.

DH and I hung out to catch my cousin Sunway’s performance with her band before it was time to go home. We negotiated with the “O” men in the produce tent over the script price for the avocados. They let us keep enough to buy one malasada doughnut each for the ride home. Yummy sugary goodness. Never mind the resolution to eat healthy. I’m celebrating!

It was the perfect ending to my amazing red-letter day.

Me and my glee sisters perform at the Carnival. (Photo by Joyce Pavlis)

Me and my glee sisters perform at the Carnival. (Photo by Joyce Pavlis)

Members of the Class of 1967 in a publicity shot with classmate and music recording artist Henry Kapono Kaaihue.

Members of the Class of 1967 in a publicity shot with classmate and music recording artist Henry Kapono Kaaihue. Which one looks like the star? (Photo courtesy of Carlyn Tani, Punahou Bulletin)

Lanihuli Diptypch, left panel

Lanihuli Diptych, left panel, sold!

Lanihuli Diptych, right panel

Lanihuli Diptych, right panel, sold!

Copyright 2013 Rebekah Luke




Revisiting Waikiki

12 01 2013

Two Christmases ago, not last month but a year earlier, my brother-in-law Paul thoughtfully gave us a gift card to the Cheesecake Factory. Mmmm, dessert! Thanks again, Paul! I’m embarrassed to say the card stayed hidden among all the other cards until recently. The restaurant is in Waikiki, and we locals hardly ever go to Waikiki—the famous tourist playland in the shadow of the iconic Diamond Head landmark. We oldsters are nostalgic and like to remember what it was like in our youth. It’s our loss, really, not going there today.

Waikiki © 2013 Rebekah Luke

Waikiki Beach in front of the Moana hotel. January 2013. Can you find Diamond Head?

When I think of Waikiki now, or more accurately going to Waikiki, I think of bad traffic, high-rise hotels, expensive stores, and crowded crosswalks in the Disneyland-ish manufactured environment that is Kalakaua avenue. All true. A lot of local residents work in the visitor industry, of course, and that’s a major part of the island economy. The streets and the buildings are refurbished regularly, with every mayor making an urban improvement and the hotels undergoing major renovations, too. I go to Waikiki so infrequently that it looks a little different each time. DH would get lost if I wasn’t navigating.

I decided on my birthday last week to have lunch at the Cheesecake Factory, so over the mountain we went to spend Paul’s gift card and play tourist. In the distance between the Royal Hawaiian Shopping Center (where the restaurant is) parking garage and Kuhio Beach toward Diamond Head, I made many photos, but tossed out most of them, preferring to keep just of few pretty images of my old haunts.

Moana Hotel © 2013 Rebekah Luke

Street entrance of the Moana hotel bustles with guests, taxis, and onlookers.

The Moana hotel, a favorite. My parents’ wedding reception and anniversaries were here at the romantic banyan court by the sea. In my teens, my girl friends and I went to the beach in front of the Moana every weekend, right there as shown in the top photo. It is still the best beach. Once I performed on stage with a group, singing and dancing—seems like a lifetime ago. That was even before my time as a daily news reporter when the Honolulu Press Club was located there.

IntlMktPlace © 2013 Rebekah Luke

The International Market Place, halfway between the Moana and Royal Hawaiian hotels on the other side of the street.

At the start of my art career, I took my paintings to the Honolulu Zoo Fence to sell. Kapiolani Park across Monsarrat avenue from the Zoo remains a breath of fresh air and green space. From the Fence I went to the Arts of Paradise gallery at the International Market Place. Once, in my early 20s, I spent New Year’s Eve with my date in and outside a restaurant to the left of the crosswalk in the photo. It was wild!

Come to think of it, I used to live in Waikiki, but I never thought of it that way because to me those areas were on the edges. First at the Ala Wai Boat Harbor on a yawl, then in a highrise condo unit near the Ala Wai Canal. I denied it was Waikiki until a friend I invited to dinner declared, after finally finding his way to my place, “My dear, you are in Waikiki!”

Royal Hawaiian © 2013 Rebekah Luke

Majestic garden entry to the Royal Hawaiian Hotel. January 2013.

Beautiful as ever is the Royal Hawaiian Hotel, the “pink lady.” I entertained there, too. I scouted it for Sunset, on special occasions dined at the Surf Room, my favorite restaurant, and drank maitais on the beach with my mother-in-law. We always appreciated the gracious service and royal treatment extended us kamaaina residents. But, no, you can’t see it from Kalakaua avenue anymore.

Copyright 2013 Rebekah Luke




Mountain panorama commands a diptych

5 01 2013

There’s something about the Ko‘olau mountains that draws painters to this landscape again and again. Besides their obvious lush and weathered volcanic beauty, they challenge us plein air painters to capture their form in the ever-changing daylight. I spent a lot of time studying the ridges and valleys in my most recent diptych of Lanihuli as viewed from Luluku. Together, the panels measure 60 inches by 22 inches, unframed. Oil on canvas board.

Lanihuli Diptypch, left panel

Lanihuli Diptych, left panel

Lanihuli Diptych, right panel

Lanihuli Diptych, right panel

Diptych by Rebekah Luke

Update 2/2/13: I am please to report that “Lanihuli Diptych” was sold to a buyer at the Punahou Carnival this past weekend. Half of all sales are donated to the student financial aid program at my alma mater. ~RL

Copyright 2013 Rebekah Luke




Two of everything. The twins turn 1.

7 10 2012

A milestone among our circle of friends was the Weiss twins turning one. Kingston and Eva were born prematurely a year ago Saturday to Greg and Kaui Weiss. So, the celebration of their important 1st birthday was a Baby Luau at the Bishop Museum in Honolulu!

Beautiful, happy family — Greg, Kingston, Kaui and Eva Weiss

With a big extended family and neighborhood helpers like me, the kuleana (jobs) were divided among many to take care of things like setting up, decorating, entertainment, guest book table, gifts, food and beverage.

The Hawaiian food buffet included kalua pig, chicken long rice, opihi, squid luau, lomi lomi salmon, sweet potato, haupia, and pineapple. While waiting for the buffet line to open, guests could feast on raw fish, edamame, crispy fried salmon, and pipikaula.

Aunty DeeDee and Aunty Nona provided the flowers to decorate. Uncle Peter was the emcee. Cousin Leiohu greeted guests at the reception table. Gigi sang Hawaiian songs, and Piʻi danced hula. Special vouchers could be swapped for admission to the museum attractions for the day; that interested the kids as well as the adults.

Among the many family and friends who came from near and far was this foursome: the babies’ grandaunt Bobbie (from left), John, and maternal grandparents Creighton and Cathy. The Museumʻs Hawaiian Hall is in the background.

Tutu Cathy with the pink tree she made for the guestbook table.

The gift bag was the cutest!