Travel: the journey

27 10 2013

Let me suggest travel. Travel away from home for a change of scenery. To view another culture. To make new friends. Alone, with a buddy, 5 miles or 5,000 miles, it doesn’t matter. Just go.

For me, traveling forces me to focus and experience the present. It often makes me uncover inner resources I didn’t know I had. It’s great for clearing the fog in my mind, allowing more space there to observe and consider life’s options. Travel to the new, different, or unfamiliar presents other perspectives to weave into our future.

I’m giving this some thought this Sunday morning while getting ready for an art show I’m installing on Friday. I thought of some examples:

• My second to the eldest cousin K.Y., in his 80s, and his wife traveled every year since they were married, always taking the kids. Their philosophy was, why wait until we’re retired. Now their adult children and their children are of the same mind, happy and well-balanced. The whole family also has a love of hiking into the mountains or to the seashore, an activity also begun when the children were young. I paint with K.Y. almost every week. He’s a fascinating conversationalist and very kind.

• My teacher, colleague and friend Lori is coming back the day I install the art show from a month of driving, alone I think, across the continental US where she had some space (as contrasted to living on an island), called on former college buddies and sampled the regional cuisine. They’re foodies. Aren’t we all? She reports on Facebook every day, but I can’t wait to hear her stories in person.

• My other teacher Alice Anne, a professional psychic (both Lori and Alice Anne attuned me to Reiki), advised me that the periods of growth in my marriage would be during times of travel. We’ve found that to be so, away from the routine of daily living. She helped me interpret a recurring childhood dream of mine. Aunty Ethel who I was afraid of–she was my mother’s eldest sister, single, a missionary, and stern–was in the dream. Anyway, the message was that I should climb walls, cross barriers and venture out across the ocean to see “the big wide world, no be scared.” Aunty Ethel was my ally.

• My latest trip abroad was a month in Italy, you may have read. I wrote about it, including the recipes, on my travel blog. You don’t actually have to make the food. Just reading about it might make you hungry. This was my second trip in a year to Italy. DH came along and so did a villa-ful of my painting students. A short, spur-of-the-moment jaunt traveling solo to Oregon to sing and learn about choral music conducting from Rod preceded this. And along with that, closer to home in Hauula down the road, a writing/performance workshop taught by Mark who was on his way around-the-world for his 70th birthday. I’m so grateful for the remarkable experiences I’ve had this past summer. Traveling!

Which brings me to a call to action for you. Yes, you are encouraged to travel this Saturday to Ho‘omaluhia Botanical Garden in Kaneohe, Oahu. I am surprised at how many people I know who have not visited there. It is a beautiful cultivated garden at the foot of the Ko‘olau Mountains. You can take in the spectacular scenery, read the plant labels, take your kids to feed the ducks or try their luck at catch-and-release fishing. The entrance is at the end of Luluku Road.

AND, I invite you to attend the opening reception of “Hana Hou: Then & Now,” a new art exhibit of oil paintings at Ho‘omaluhia park by Yours Truly and gourd artist Tamsen Fox. Saturday, November 2, from 1 to 3 p.m. at the Visitor Center Lecture Room. The collection features two versions each of eight Hawaiian landscapes, painted once, and then a second time when I revisited years later. The show will be up until Nov. 29 from 9 to 4 daily. On Tuesdays we will be there and you can watch us make art. When you see the landscapes you can imagine yourself traveling even farther to a different time and place. So it will be with the 3D pieces that will reflect both contemporary and ancient cultures.

We’ll take you there. It’s fun.

Hana Hou invitation.inddCopyright 2013 Rebekah Luke




The Italy paintings

11 10 2013

photoMy time in Italy was productive! I made two oil paintings, influenced by the style of Tuscan artist/teacher Agostino Veroni. What do you think? My students and I learned some time-saving techniques. Of course, while Veroni takes only 2-1/2 hours to make a painting start to finish, I took a little longer, but not much more than a day for each.

If you didn’t have time to follow me in Italy, my reports are still up at Popo Goes to Italy. There are several posts about the painting experience abroad. Have a wonderful day!

"My Corniglia," 30 x 40 cm, oil on canvas, by Rebekah Luke

“My Corniglia,” 30 x 40 cm, oil on canvas, by Rebekah Luke

“Pool at Villa Minghetti,” 30 x 40 cm, oil on canvas, by Rebekah Luke

Copyright 2013 Rebekah Luke




More paintings installed

22 07 2013

The virtual gallery has new pieces! I’ve installed some new recent works to the Paintings page. I worked hard today to add final strokes so I could photograph them for viewing.

Now the paintings will have enough time to dry before the varnish coat that I will brush on for my show in November at Hoomaluhia Botanical Garden on Oahu. If someone wishes to buy one of these, it will be with the understanding that I will borrow them back.

These new works are inspired by landscapes I painted about 20 years ago. My concept is to compare my work as a painter then to the work I am doing now. Over the past months I’ve returned to these Hawaiian places to paint the scene again. I’ll exhibit the former and the current works side by side. The project is going well.

Thanks to everyone who came to visit my booth at the Prince Lot Hula Festival on Saturday and for supporting my work as a painter.





Up and coming, oh, it’s here!

11 07 2013

Hello studio fans!

Three events to alert you to, from closest to farthest to in-between:

•  The Farm Fair this weekend at Kualoa Ranch, Oahu, July 13 and 14

•  Eric Whitacre’s Virtual Choir 4 premier in London on July 13

•  The Prince Lot Hula Festival at Moanalua Gardens, Honolulu, on July 20

"Kamaipuupaa" 24" x 18" original oil on canvas panel by Rebekah Luke

“Kamaipuupaa” 24″ x 18″ original oil on canvas panel by Rebekah Luke

I’m excited for all three, but this morning Eric Whitacre released his VC4 to everyone in the choir. I’m in it! What I want to know is, can you hear me? Can you see me? Let me know, okay? Here is the link, and as Eric says, “Please watch in HD and for the love of all that is holy TURN IT UP.” The VC4 officially premiers at 6 p.m. Saturday at the Coronation Festival in London before the Queen. It feels good to me for being a tiny part of this project of world music.

Closer to home is the delightful Hawaii State Farm Fair and 4-H Livestock Show down the road at Kualoa Ranch. Please click on the link for details if you want to go. Maybe I’ll see you there. When we told Miss Marvelous’s family about it, they said, “Aww…” They remembered what a good time they had (they’re in Italy now). Here are my photos from two years ago.

Thirdly, please save July 20 for the Prince Lot Hula Festival, a day-long program of wonderful Hawaiian dance, arts, crafts, and food at the beautiful Moanaloa Gardens. I will have a booth there with my oil paintings and some lower-priced reproductions of “Kamaipuupaa,” my image of the earthen mound that is the stage the hula dancers perform on. Moanalua Gardens is one of my favorite places to paint.

This is a good opportunity to see and purchase my work — originals, giclée, and art prints. DH and my friend Pi‘ikea will join me with custom-made ukulele and t-shirt designs. Look for Booth #50, that is in the furthest corner from any of the entrances, easy to find! Again, please click on the links for details. I hope to see you!

Copyright 2013 Rebekah Luke




Native Hawaiian Arts Market 2013

25 05 2013
Bernice P. Bishop Museum, Hawaii

Bernice P. Bishop Museum, Hawaii. Native Hawaiian artists will gather here this weekend. (Photo credit: Wikipedia)

Good morning! It’s the beginning of a big weekend and I sincerely hope yours will be fine, as in the finest. I am getting things together for the Native Hawaiian Arts Market at the Bishop Museum in Honolulu where I’ll be on Sunday, May 26 – yikes, that’s tomorrow! – from 9 a.m. to 5 p.m. with my oil paintings. (It’s on today until 7 p.m., however I will not be there until tomorrow.)

Some of the paintings are newer than the ones pictured in “Paintings” and “Retrospective” – please see the menu tabs above. I will have originals and giclée reproductions too.

Miraculously, a space for me to exhibit was secured only yesterday after I got a call. But I’m a pro and I’ll be ready to greet you if you come. If you like my art, I will work with you so that you can own it! Special admission for kama‘āina residents is $5. If you have not visited Hawaiian Hall, where DH is a docent on Fridays, this will be a good time to do that too! Worth it!

The entrance to the Bishop Museum is on Bernice Street in Honolulu. I’ll let you know how it goes. I am so grateful for this opportunity at this venue. Thank you! Mahalo e ke Akua! See you soon.

Miss Marvelous enjoys the art show at the Bishop Museum in 2010. Painting is now with a private collector. I have new ones to show at tomorrow's Native Hawaiian Arts Market!

Miss Marvelous enjoys the art show at the Bishop Museum in 2010. She lives in Italy now. The painting on the left is now with a private collector. I have new ones to show at tomorrow’s Native Hawaiian Arts Market!

Copyright 2013 Rebekah Luke




Art and wine inspire us to keep going

19 05 2013

Imagine my delight when my oil painting students announced they wanted to exhibit their art work. I love to support initiative. It would be at Nani’s house. They would invite just family and a few friends for a private showing.

Each of us would bring heavy pupu which means hors d’oeuvres substantial enough for dinner. Wine would be served. Personally, I think it was an excuse to drink wine. Only people who drank wine would be invited! they said.

Grouping of paintings includes images of Moanalua Gardens. At left: Prince Lot's cottage by Leinani Keppeler-Bortles. Center: Kamaipuupaa hula mound by Rebekah Luke. Bottom: Chinese Hall by Rae Gorman. Right: Kalo (pu‘epu‘e style) by Rae Gorman.

Grouping of paintings includes images of Moanalua Gardens. At left: Prince Lot’s cottage by Leinani Keppeler-Bortles. Center: Kamaipuupaa hula mound by Rebekah Luke. Bottom: Chinese Hall by Rae Gorman. Right: Lo’i kalo (pu‘epu‘e style) by Rae Gorman.

Some background: This is the first cohort of students, now in Painting III (Landscape En Plein Air). They completed Painting I and II  in the studio. Now students have graduated and are painting on location for the first time. They go out with me two times each to five locations, for a total of ten outings. After that students may finish their paintings on their own. It will be typical to repeat this course until they are comfortable in the landscape with its constantly changing light and weather.

Setting a show date turned out to be good incentive for finishing the paintings. We had paintings in progress from Moanalua Gardens, Byodo-In, Kapiolani Park, the farm at Castle High School, and Kaaawa Beach Park.

I kept out of the planning until about a week ago when Nani asked how best to display the art work.  I took interest because (a little ego here ;-)) an invitation went out with my name printed prominently. I had not seen any of the finished paintings.

My reply was something like: “Usually a curator will look at the entire collection, and then decide where to place the pieces in the space. I will help you. Bring the work a day early so we don’t have to rush the installation. Hopefully the paint is dry, and your work is properly framed and wired for hanging.”

This is something I teach later, but in this case, students learned “on the job” by trial and error as we staged Nani’s home to look like a gallery. It reminded me of a restaurant opening, at which the carpenters are still hammering away as the first guests walk in the door.

About 50 people came to the show, expressing thanks, congratulations and compliments all around. It was a happy occasion, as you can tell by the smiles in the photos.

The students begged for a critique, so here it is. It will likely be the same whenever you ask:

Good work! I am so proud of you. Keep going! Continue to turn the form. Darker darks and lighter lights. Warm it in the light. Cool it in the shade. Avoid comparing your work to others’ because each artist has her own line. Paint what you see, paint what you know, paint what you feel. Oh, and drink wine!

Copyright 2013 Rebekah Luke
Linda Haynes Abbott 2013

Linda Haynes Abbott with her artwork of Byodo-In at Kahalu‘u, a favorite location to paint en plein air (Jan McEwan photo)

Nani Ho 2013

Nani Ho captured the peacefulness of the Byodo-In with this wonderful composition. (Jan McEwan photo)

Leinani Keppeler-Bortles 2013

Leinani and her stylized painting of kalo and mai‘a (Jan McEwan photo)

Rae Gorman 2013

Rae Gorman challenged herself to paint this view of the temple and the bell house, stream and hillside. Good job! (Jan McEwan photo)





Kids and me at the Filipino Fiesta

12 05 2013

Anxious to finish another painting, I headed out to Kapiolani Park yesterday only to find the Annual Filipino Fiesta staged there. It’s Saturday. Duh. I didn’t care. It takes me an hour to drive there from the studio, and DH gave up the use of our one car, so I felt I had to take advantage of the opportunity.

I circumnavigated the park twice after deciding to not park illegally and before squeezing into a spot on Leahi avenue that my friend Pi‘ikea would term “in the next county.”

Plein air oil painters lug their French easels, paints, and what-have-you all over the creation. We need to be there for the light. So I hoofed it.

I visualized my painting spot empty as I walked toward the iconic ironwood-lined path, and it was! Right in the middle of a pedestrian aisle lined with two rows of tent booths and across from the food booths and their aroma, each with a long line of customers.

The tinikling and other Filipino and pop tunes from the bandstand blared, and I welcomed another of day of painting to music. The one I did at the recent Bluegrass Hawaii festival was successful.

"Bluegrass Hawaii," 20"x16" oil on canvas

“Bluegrass Hawaii,” 20″x16″ oil on canvas

As you might imagine there were a lot of spectators, photographers, and videographers who stopped to watch me paint. I’m happy to stop and converse. What I like the best are the children. Here’s a sample of their comments and questions (some adults ask the same things):

Kid: What kind of paint is that?
Me: Oil paint.
 
Kid: Did you draw that?
Me: Uh huh.
 
Kid: How long did it take you to paint that?
Me: This is my fourth or fifth time out.
Kid: Are the people in the painting still there?
Me: Try look. Are they?
 
Kid: What are you going to call your painting?
Me: How about “Ironwood Path at Kapiolani Park”? “Diamond Head” is too ordinary, don’t you think?
Kid: (smiles widely and nods approval)
 
Kid (noticing the vista): Oh, look! She’s painting that!
 
Kid: Wow, you have a lot of colors.
Me: Do you like to draw?
Kid: Yes.
 
Kid: Are you going to be an artist when you grow up?
Older kid (punching the first kid in the arm): She IS an artist.
Me: Yup, when I grow up.
 
Me and Taxx, who I just met, with my painting in progress, i.e., it is not from completed (Photo by Taxx's photographer)

Me and Taxx, who I just met, with my painting in progress, i.e., it is not completed. I am revisiting some places I painted about 20 years ago and painting them again. This is one of them. I hope to mount an exhibit to compare the art works. Is there any growth? Have I grown up?  (Photo by Taxx’s photographer)

Copyright 2013 Rebekah Luke