My art receives Honorable Mention

18 03 2023

I appreciated very much the words of Gregory Pai, the juror of Ultra III exhibit of the Windward Artists Guild. He gave the remarks on March 16, 2023, about my hand-dyed tissue-paper collage entitled “Crater View.” The actual crater at Kilauea was Fissure 8, now named ʻAhuʻailaʻau. The acoustics were poor in the second-floor lobby of Pauahi Tower, where the art will be hanging for two months, so I hope I heard the video correctly for my transcription:

“ … it’s not a piece of work that shouts at you when you look at it, but when you start to look at it very closely, it goes deeper and deeper and deeper. And it’s just very skillful use of collage elements to create an abstract, visual landscape. And the excellent values, differentiation and composition using very strong diagonal shapes gives it a strong sense of movement, depth, and aerial perspective. So it was an abstract, but in the same sense you felt like you were looking at a crater. And it had a very real depth abstract quality to it, and it was done in collage, which is a very difficult medium to work with …”

Be well.

~ Rebekah





Come to the show!

26 05 2021
Artworks will be on display through all of June.

My cohorts and I create paintings from hand-dyed tissue paper after our teacher the late Susan Rogers-Aregger. I am fond of the piece above entitled “Crater View” that I made of the volcano.

Artists, front L to R: Dorothy Brennan, Rebekah Luke, Florence Aoyama, Rob Boolukos. Back L to R: Joy Ritchey, Peggy Hoefer, Karen Kim, Maite Bonis, Faye Maeshiro

~ Rebekah





Spring equinox 2019 update

20 03 2019

Greetings, studio fans ~

What’s happening? For me, Spring is better than welcoming a new calendar year. I like to survey the garden around the house as well as the garden in my mind. It’s a time for trimming, plucking, and weeding out the old; and for planting new, more desirable seeds.

This morning I tended the basil, pinching off the flowers from most of the sweet herb because I want to use it instead of letting it go to seed. I left some of the flowers on the plant for the bees. Everyday I check the side yard to see if any of the avocados from my neighbor’s tree have fallen, and to pick up and toss old breadfruit leaves from the ground. I strip off the bottom layer of all the ti leaf plants that I’ve cultivated mostly to make lei. The kou tree, planted for its shade and orange lei flowers, makes a lot of rubbish with its palm-size leaves and ball-bearing-like seeds, so there’s raking to do. Looking up, I see the avocado tree is finally flowering!

Actual Ma‘afala breadfruit tree

Then, I’m revisiting the studio’s purpose “Old-fashioned letters, painting & healing.”

Letters. I’m honored to be invited to coach the Ko‘olauloa Hawaiian Civic Club members tomorrow night in writing autobiography. I intend it to be a fun activity as we write individual anecdotes and craft pretty booklets. I have chosen as jumping off points these questions: “What was your best birthday?”  “Who is your strangest family member?” “What is your greatest fear about falling in love?” “What is the craziest thing you have ever done?” And then for the brave, “How?” and “Why?”

Painting. My collage group (painting with hand-dyed paper) is exhibiting its artworks the month of April starting April 3 in the main gallery at the visitor center of Ho‘omaluhia Botanical Garden, on Luluku Road in Kaneohe, Oahu. I’ve agreed to design the look of the “Collages & Clay” that also includes ceramics. I’ll draw on the memory of observing how Susan Rogers-Aregger and Noreen Naughton placed pieces for a show.

Hand-dyed paper collage of breadfruit leaves by Rebekah Luke

Healing. It has been exciting to teach, attune, and certify five new Reiki Masters and Reiki Master Teachers. The Reiki Intensive training spands eight days, with the current program ending next Sunday with “Journey into Mastery.” I am team teaching with Reiki Master Teacher Lori A. Wong. I am reminded that “Yes! I am a Reiki Master!”

 

Aloha,

Rebekah

 








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