Made it through the day

13 04 2019

‘Twas a long day, and we made it.

We’re home now with two granddaughters, two dogs, and a take-and-bake pizza in the oven—too tired to make dinner.
The day out started with a fundraising luncheon event for the Hawaii Youth Opera Chorus at a ballroom in downtown Honolulu. Parents, friends, and supporters kept checking their bids in the online auction while the different sub choirs entertained, and people waited their turn at the buffet line. Some started with dessert!
We left early to arrive late at the artists’ reception for the exhibit of paper collages and ceramics on the windward side of the island 30 minutes away.
I had packed up a basket of cookies for the refreshments table and a bunch of pink ginger to decorate. What a joyous gathering of friends and colleagues!

My friend Joy Ritchey, artist

 

Visitors in front of collage paintings by the late Susan Rogers-Aregger, our mentor

 

More friends: Peg Hoefer, (from left), Dan Rogers-Aregger, and Barbara Guidage

Pete had childcare duty tonight, so our granddaughter Perrin met us at the reception and took in the exhibit until closing. She occupied her time drawing and socializing with the adults. Then we went to fetch her older sister Ayla from a birthday party and get the pizza.

Perrin and her freehand drawing after a Bernadette Chan collage in the background.

We drove home, stopping first to pick up Massimo, their dachshund, so he could have company and play with our dog JJ. A scary movie on TV, baths, pajamas—I for one will call it a day.
~ Rebekah
P.S. – It was also a lucky day. I won the bid at the HYOC auction for a one-year membership for four people at Hawaii Theatre Center and the bid for a stunning turquoise pendant. Grateful!

 





Contributions by artists

8 06 2011

Much of what I learned about the business of art I learned from my time with the Arts of Paradise, a fine art gallery at the International Market Place in Waikiki, that kindly represented me for several years.

Artists Susan Rogers-Aregger, Susan Brooks, and Connie Hennings-Chilton were the co-owners who sought two- and three-dimensional work by local artists and priced them realistically for the buying public. I thank them so very much.

When I co-founded Hale Kuai Cooperative with Ka Lahui Hawaii and we opened a storefront, I applied many of the management skills they taught me to running our store that sold Native-Hawaiian-made products.

During the early Arts of Paradise days, we had frequent requests to donate our work. The gallery encouraged artists to share the explanation reprinted below with whoever asked for a donation.

While cleaning the studio today, I found it on Arts of Paradise letterhead, but I recall that it was originally shared by the artist Ramsay. The information makes sense to me, and it is useful even today.

CONTRIBUTIONS BY ARTISTS

The artist is often asked to donate art to worthy causes as a “tax-deductible contribution,” as a “form of advertising,” as a “goodwill gesture,” and as “the means to increased community exposure.”

However, many artists and most solicitors are unaware that the IRS views contributions made by artists differently than those made by any other contributor. Artists are not able to deduct the appraised or fair market value of their work. Artists must enter the cost of materials as a business expense rather than a charitable contribution.

At a benefit art sale or auction, payment for contributed merchandise is made in the name of the charity. The purchaser makes a tax-deductible contribution and receives a work of art; the organization gains needed operating funds; the artist has one less asset, an added business expense, no charitable deduction, no income from the sale, a devalued reputation because the work sold at less than market value and has “increased exposure” to a  group of  potential patrons now conditioned to acquire art through donation rather than direct purchase.

This situation is particularly difficult for artists living in an insular community like Hawaii, where patrons are few and the cost of living is high.

Organizations who wish continued support from artists should adopt the following guidelines:

Artists submitting work to charitable organizations should provide the suggested retail price and receive fifty percent of that price upon sale; unsold work should be returned to the artist.

The names of contributing artists should be listed in promotional material and printed programs.

Artists should receive thank-you letters with their checks specifying the amount of their contribution, the actual amount of the art brought at auction, and the name of the purchaser.

This arrangement will enable artists to provide work of importance to organizations and the community, while uplifting the image of art in Hawaii.

Copyright 2011 Rebekah Luke







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