In my back yard it’s swingy and jazzy

1 07 2013
Jazz guitarist and bass player Robert, who is the proprietor of Uncle Bobo's BBQ restaurant in Kaaawa

Jazz guitarist and bass player Robert, who is the proprietor of Uncle Bobo’s restaurant in Kaaawa. (Rebekah Luke photo)

Sometimes it takes an effort by someone in the community to remind us how very privileged we are to live and work in Kaaawa. And to remind us there are attractions right in front of us in our own back yard.

This past Sunday afternoon it was by Robert and Keiko of Uncle Bobo’s Smoked BBQ restaurant, who organized a 19-piece big band as well as a jazz guitarist from Japan to play for  residents and guests for free.

What a show! The review from Sunway and Joerg, the professional musicians and music producer in my party, was that this big band could fill any room with an appreciative audience. No doubt our town would welcome that kind of event at least quarterly, and it would be good business for Uncle Bobo’s.

BBQ al fresco and big band sounds at Uncle Bobo's

Smoked BBQ al fresco and big band sounds at Uncle Bobo’s. (Rebekah Luke photo)

I live in the middle of the Pacific in a comparatively rural (not urban) neighborhood on the windward side of Oahu island. It’s a 20- to 25-minute car ride to the nearest supermarket, and 45-55 minutes to reach Honolulu or Kailua in the middle of the day. Most everyone who lives in Kaaawa has a long commute to somewhere several times a week.

It’s “far,” by island standards.  But we love it because it’s what we call country. Kaaawa’s stunning mountain and ocean scenery and proximity to the base camp of TV shows or movies shot in Hawaii make it a favorite choice for location managers of the movie industry.

Low tide at Kaaawa

Low tide at Kaaawa

We like the quality of life. Kids play outside, they walk or bicycle to school, roosters crow, dogs bark, folks fish and grow food, and we play music on the back porch. You can walk along an empty beach or on the back roads, and everyone you pass will say hello. It’s mostly local families, not visitors, who use the park and beaches on the weekends.

For services, our town has a public school, a post office, a gas station, a 7-Eleven, a fire station, an EMS station, beach parks with restrooms, and Uncle Bobo’s—a diner that’s had the longest run in all of my nearly 30 years here.

Above all we are thankful for the gift of community.

Yesterday it was happening. People came from all over. Uncle Bobo’s put up tents for shade, and the kitchen was hopping with non-stop orders. There were music stands with Uncle Bobo’s logo on it, big band style. We listened to long sets while munching on brisket or pork ribs or Kualoa Ranch beef burgers with avocado. Tent campers packed Swanzy Beach Park across the street, more so than most weekends, but amazingly people managed to find parking, and there was plenty of toilet paper in the women’s restroom at the park for the crowd.

We watched the world go by on Kamehameha Highway. I saw a limo pull up and a parade of old Fifties cars. Motorcycle clubs too. My neighbor and friend Andrea tirelessly circulated a petition to “keep the country country.” I bet she collected a lot of signatures. I met Lisa, all grown up now, who lived in our house as a girl; she introduced herself to me. Nora who played piano for our glee club for a while said “hi” and that she was playing piano in the band earlier. Wow, they sounded great! Thank you, Uncle Bobo’s!

Pretty soon it was time for my cousins and friends to walk back to the studio, and Sue regretted not bringing her camera, because she wanted to capture the majesty of the mountains—the ones that are right in my back yard.

The view of Makaua Valley and mountains at Kaaawa from Swanzy Beach Park

The view of Makaua Valley and mountains at Kaaawa from Swanzy Beach Park. (Rebekah Luke photo)

Copyright 2013 Rebekah Luke




Reiki vibrations

23 06 2013

Reiki Master Teacher Lori A. Wong is my colleague, teacher and friend. Earlier today at my healing space, she finished attuning and certifying three new Reiki Masters who now have the knowledge of the Unlimited Reiki System of natural healing, Levels 1, 2, and Master. I was there to assist.

And so was Alice Brown the Reiki dog, the magical dog. For each of the two days of our intensive training workshop, Alice Brown, who is an excellent receiver, sat quietly under Lori’s chair. My puppy knows where to go to raise her vibration!

Look who's under Lori's chair

Look who’s under Lori’s chair

Why, it's Alice Brown the Reiki dog!

Why, it’s Alice Brown the Reiki dog!





Thank you, Eric Whitacre and team!

11 06 2013

I am one of eight singers from the Hawaiian Islands who joined Eric Whitacre’s Virtual Choir 4 to perform his “Bliss.” The premier will be on July 13 in London. There are 5,797 voices on the map, and mine is one of them! 🙂

Virtual Choir 2013





Learn how to heal with Reiki — a workshop

29 05 2013

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For more information, please contact rebekahluke@hawaii.rr.com.
To read more about Reiki, click on the Reiki Healing by Oelen menu tab above. Thank you! ~ Rebekah





Native Hawaiian Arts Market 2013

25 05 2013
Bernice P. Bishop Museum, Hawaii

Bernice P. Bishop Museum, Hawaii. Native Hawaiian artists will gather here this weekend. (Photo credit: Wikipedia)

Good morning! It’s the beginning of a big weekend and I sincerely hope yours will be fine, as in the finest. I am getting things together for the Native Hawaiian Arts Market at the Bishop Museum in Honolulu where I’ll be on Sunday, May 26 – yikes, that’s tomorrow! – from 9 a.m. to 5 p.m. with my oil paintings. (It’s on today until 7 p.m., however I will not be there until tomorrow.)

Some of the paintings are newer than the ones pictured in “Paintings” and “Retrospective” – please see the menu tabs above. I will have originals and giclée reproductions too.

Miraculously, a space for me to exhibit was secured only yesterday after I got a call. But I’m a pro and I’ll be ready to greet you if you come. If you like my art, I will work with you so that you can own it! Special admission for kama‘āina residents is $5. If you have not visited Hawaiian Hall, where DH is a docent on Fridays, this will be a good time to do that too! Worth it!

The entrance to the Bishop Museum is on Bernice Street in Honolulu. I’ll let you know how it goes. I am so grateful for this opportunity at this venue. Thank you! Mahalo e ke Akua! See you soon.

Miss Marvelous enjoys the art show at the Bishop Museum in 2010. Painting is now with a private collector. I have new ones to show at tomorrow's Native Hawaiian Arts Market!

Miss Marvelous enjoys the art show at the Bishop Museum in 2010. She lives in Italy now. The painting on the left is now with a private collector. I have new ones to show at tomorrow’s Native Hawaiian Arts Market!

Copyright 2013 Rebekah Luke




Art and wine inspire us to keep going

19 05 2013

Imagine my delight when my oil painting students announced they wanted to exhibit their art work. I love to support initiative. It would be at Nani’s house. They would invite just family and a few friends for a private showing.

Each of us would bring heavy pupu which means hors d’oeuvres substantial enough for dinner. Wine would be served. Personally, I think it was an excuse to drink wine. Only people who drank wine would be invited! they said.

Grouping of paintings includes images of Moanalua Gardens. At left: Prince Lot's cottage by Leinani Keppeler-Bortles. Center: Kamaipuupaa hula mound by Rebekah Luke. Bottom: Chinese Hall by Rae Gorman. Right: Kalo (pu‘epu‘e style) by Rae Gorman.

Grouping of paintings includes images of Moanalua Gardens. At left: Prince Lot’s cottage by Leinani Keppeler-Bortles. Center: Kamaipuupaa hula mound by Rebekah Luke. Bottom: Chinese Hall by Rae Gorman. Right: Lo’i kalo (pu‘epu‘e style) by Rae Gorman.

Some background: This is the first cohort of students, now in Painting III (Landscape En Plein Air). They completed Painting I and II  in the studio. Now students have graduated and are painting on location for the first time. They go out with me two times each to five locations, for a total of ten outings. After that students may finish their paintings on their own. It will be typical to repeat this course until they are comfortable in the landscape with its constantly changing light and weather.

Setting a show date turned out to be good incentive for finishing the paintings. We had paintings in progress from Moanalua Gardens, Byodo-In, Kapiolani Park, the farm at Castle High School, and Kaaawa Beach Park.

I kept out of the planning until about a week ago when Nani asked how best to display the art work.  I took interest because (a little ego here ;-)) an invitation went out with my name printed prominently. I had not seen any of the finished paintings.

My reply was something like: “Usually a curator will look at the entire collection, and then decide where to place the pieces in the space. I will help you. Bring the work a day early so we don’t have to rush the installation. Hopefully the paint is dry, and your work is properly framed and wired for hanging.”

This is something I teach later, but in this case, students learned “on the job” by trial and error as we staged Nani’s home to look like a gallery. It reminded me of a restaurant opening, at which the carpenters are still hammering away as the first guests walk in the door.

About 50 people came to the show, expressing thanks, congratulations and compliments all around. It was a happy occasion, as you can tell by the smiles in the photos.

The students begged for a critique, so here it is. It will likely be the same whenever you ask:

Good work! I am so proud of you. Keep going! Continue to turn the form. Darker darks and lighter lights. Warm it in the light. Cool it in the shade. Avoid comparing your work to others’ because each artist has her own line. Paint what you see, paint what you know, paint what you feel. Oh, and drink wine!

Copyright 2013 Rebekah Luke
Linda Haynes Abbott 2013

Linda Haynes Abbott with her artwork of Byodo-In at Kahalu‘u, a favorite location to paint en plein air (Jan McEwan photo)

Nani Ho 2013

Nani Ho captured the peacefulness of the Byodo-In with this wonderful composition. (Jan McEwan photo)

Leinani Keppeler-Bortles 2013

Leinani and her stylized painting of kalo and mai‘a (Jan McEwan photo)

Rae Gorman 2013

Rae Gorman challenged herself to paint this view of the temple and the bell house, stream and hillside. Good job! (Jan McEwan photo)





Kids and me at the Filipino Fiesta

12 05 2013

Anxious to finish another painting, I headed out to Kapiolani Park yesterday only to find the Annual Filipino Fiesta staged there. It’s Saturday. Duh. I didn’t care. It takes me an hour to drive there from the studio, and DH gave up the use of our one car, so I felt I had to take advantage of the opportunity.

I circumnavigated the park twice after deciding to not park illegally and before squeezing into a spot on Leahi avenue that my friend Pi‘ikea would term “in the next county.”

Plein air oil painters lug their French easels, paints, and what-have-you all over the creation. We need to be there for the light. So I hoofed it.

I visualized my painting spot empty as I walked toward the iconic ironwood-lined path, and it was! Right in the middle of a pedestrian aisle lined with two rows of tent booths and across from the food booths and their aroma, each with a long line of customers.

The tinikling and other Filipino and pop tunes from the bandstand blared, and I welcomed another of day of painting to music. The one I did at the recent Bluegrass Hawaii festival was successful.

"Bluegrass Hawaii," 20"x16" oil on canvas

“Bluegrass Hawaii,” 20″x16″ oil on canvas

As you might imagine there were a lot of spectators, photographers, and videographers who stopped to watch me paint. I’m happy to stop and converse. What I like the best are the children. Here’s a sample of their comments and questions (some adults ask the same things):

Kid: What kind of paint is that?
Me: Oil paint.
 
Kid: Did you draw that?
Me: Uh huh.
 
Kid: How long did it take you to paint that?
Me: This is my fourth or fifth time out.
Kid: Are the people in the painting still there?
Me: Try look. Are they?
 
Kid: What are you going to call your painting?
Me: How about “Ironwood Path at Kapiolani Park”? “Diamond Head” is too ordinary, don’t you think?
Kid: (smiles widely and nods approval)
 
Kid (noticing the vista): Oh, look! She’s painting that!
 
Kid: Wow, you have a lot of colors.
Me: Do you like to draw?
Kid: Yes.
 
Kid: Are you going to be an artist when you grow up?
Older kid (punching the first kid in the arm): She IS an artist.
Me: Yup, when I grow up.
 
Me and Taxx, who I just met, with my painting in progress, i.e., it is not from completed (Photo by Taxx's photographer)

Me and Taxx, who I just met, with my painting in progress, i.e., it is not completed. I am revisiting some places I painted about 20 years ago and painting them again. This is one of them. I hope to mount an exhibit to compare the art works. Is there any growth? Have I grown up?  (Photo by Taxx’s photographer)

Copyright 2013 Rebekah Luke