Moving forward in the new year

16 01 2016

Good morning, studio fans! This is my belated new-year message for 2016. It usually takes a while to get my ʻōkole in gear after the holidays and the lovely celebrations for my birthday in early January. Yesterday I was most inspired by the Royal Hawaiian Band concert at the palace grounds, where I walked after lunching with a friend in downtown Honolulu.

ʻIolani Palace grounds during the Friday noontime performance by the Royal Hawaiian Band draws an appreciative public

ʻIolani Palace grounds during the Friday noontime performance by the Royal Hawaiian Band draws an appreciative audience.

The program featured the music of Liliʻuokalani in remembrance of the overthrow of the Hawaiian Kingdom in 1893. My friend Malia is the Band’s soloist, and I was glad to hear her sing. She is a phenomenal vocalist. What a gift she has. The entire program was very uplifting. I awoke this morning with the tunes in my head and a vow to keep music in my life; learn or practice something new every day. Reminder number one!

Reminder number two: Take time to socialize with others and make friends, especially as I grow older, to keep my attitude and perspective in check. Besides, it’s fun! Becky, the friend I lunched with (she is like a sister to me)  listened as I inventoried my current health issues (I go in for an annual physical around my birthday). I thought she was being sympathetic, but being younger, she said her interest was in learning what problems she might expect for herself in the future. Humph. We had a good laugh over that one!

Reminder number three plus: Be aware of teachable moments and be kind. In Hawaiʻi, Sovereignty Sunday (remembering the overthrow) coincides with Martin Luther King Jr. Day. Miss Marvelous, 6, is in first grade and reads now, lending to interesting conversations between grandparent and grandchild. For example, she reported that she is learning “mindfulness” in school. The other day she asked me, “Am I white?” to which I countered, “What do you mean?”

Big sigh. “You know, a long time ago, maybe the Russians and the Germans couldn’t marry. I’m talking about ancient history,” the child said. “And that King!” Clearly she wanted an answer, and I almost forgot the original question.

I’m drawn to her (my) confusion. King Kamehameha? King Kalākaua?

“Papa, help us out here.”

DH offers, “Martin Luther King?”
Ohhh… (lightbulb)…

“Well, Ayla, if you are asking about the color of your skin or descending from Caucasoids, then yes, you are White,” I said.

Judging the expression on her face, I detected it was a complicated issue in her mind, as she lost interest and ran off to play, as I hoped she would hear me say, “Peoples’ skins on the outside are different colors, but on the inside our hearts are the same.”

As I mused, if she is white, what am I: brown? yellow? beige?

(Copyright 2016 Rebekah Luke)





Shadows on the carriageway

21 12 2015

For a memoir of Oahu and Waikiki, this image of Leahi (Diamond Head) and the carriageway in Kapiolani Park may be for you. It is available now for your consideration. The path, familiar to island residents like these Sunday painters, is lined with ironwood trees and extends from the Bandstand to the tennis courts. $250 with hardwood frame. $200 unframed. VISA and MasterCard accepted. For delivery information, please email rebekahluke@hawaii.rr.com.

"Shadows on the Carriageway" 20" x 10" giclée on canvas

“Shadows on the Carriageway” 20″ x 10″ giclée reproduction on canvas of an original oil painted in 2013 by Rebekah Luke





The gardener as artist

17 11 2015

This is the first weekday morning in 40 weekdays that I didn’t hear a gentle knock on the front door signaling the arrival of the new, cheerful, smiling gardener. Instead, I am greeted by a light warm rain on the newly landscaped yard, a work of art completed yesterday.

Allow me to set the stage. My injured hand, from “overuse,” prevented me from tending plants as before. DH and I had the mature mango and avocado trees cut back, as we need to do every two or three years, because they are close to the house. That let in more sun, and then there fell a lot of rain. The best way to describe the resulting look was, we lived in a jungle.

I searched for a person to clean the yard—because as wise daughter says, “Hire the professional”—but I could not find anyone who was willing or who would show up way out here in the country. If the yard was already cleared of its jungle-y aspects, fine, perhaps someone could keep it trimmed. Word got out that I was looking, and two of my Hawaiian lady friends recommended their man.

They had good things to say. “Oh, he could probably do your yard in a day.” “He’s a hard worker.” “He works in the sun.” “Now he comes just once a month; that’s all that’s needed.” “Give me your number, and I’ll have him call you.” Great!

Hailama

Hailama

Enter Hailama, a sturdy Hawaiian from Kahana Valley, who said he would work every day “’til pau (finished),” that meant a 5-hour day, rain or shine. Touring our jungle, I attempted to describe the original garden plan, now obscured with the overgrowth, and Hailama asked, “What do you want to keep?” Ah, a new perspective!

We agreed to keep the mango, the avocado, and calamansi trees for the fruit they produce;  the vegetable-and-herb boxes; the red hibiscus for their petals used for Mexican jamaica tea; and the kou tree, ginger, and ti plants to make lei. We wanted to keep as much of DH’s native Hawaiian plant collection as possible.

One of the features of the land we mālama (care for) is that there is not much soil. Only rocks. A lot of rocks. We are near a stream, and some people think our street is where the stream used to be, because it lines up with a natural ocean channel. I think so, too. It turns out that Hailama loves to work with rocks, or pohaku in Hawaiian.

Mauka side yard has a new, curving rock border with a cascading variegated green/white/purple cover in front of a new red hibiscus hedge that will grown up like the mature hedge on the right against the wall. Upper left: breadfruit tree. Middle right: alahe‘e tree. Foreground: a sitting rock.

This garden path has a curving rock border with a cascading variegated veridian/lavender/purple cover in front of a new red hibiscus hedge that will grow up like the mature hedge in the middle background of the photo. Upper left: breadfruit tree. Middle right: alahe‘e tree. Foreground: one of the “sitting rocks.” Red ti leaf accents.

Starting at one corner and then proceeding to the next adjacent area, in a continuous flow, Hailama took advantage of a blank canvas to transform the garden. Every day brought a new surprise. For the most part, he worked with what was already on the property, relocating and rearranging the elements with new lines and shapes. In doing so, he made room for energy to flow freshly.

“What is your vision?” I asked. “I don’t know,” he shrugged. Looking up and moving his arms from above his head and down the sides of his body, he said, “Every day I ask God, and He helps me.”

Detail of garden path. After the mature hibiscus hedge (left) was trimmed to half its height, the tops were made into cuttings to form a new 25-foot-long hedge (top of photo).

Detail of garden path. After Hailama trimmed the mature hibiscus hedge (left) to half its height, so I could see the waterfall again from my studio window, he saved the tops and made cuttings to form a new 25-foot-long hedge (top of photo).

We started to have small discussions. He liked flowers. I liked food. “Do you like color?” he asked. “Yes, and pathways and focal points.” As he worked, Hailama began to re-grade the lot. He liked curves, where previously there were straight lines. In the way he used the rocks he dug up from the ground, the garden started to look zen. That I liked!

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Every rock is hand-picked, considered for its “face” and painstakingly set into the ground by hand. A row of the veridian-lavender-purple plants is on the lower terrace for a color repeat. Behind it is a row of white ginger that will eventually take hold; Hailama brought them from his own garden. In the background, Hailama trimmed the old panax hedge to a manageable height for maintenance.

 

Fronting the panax hedge in alternating plantings are flowering red and pink ginger and ti leaves of various colors. Upper right: raided veggie and herb beds. Foreground, ʻaeʻae ground cover around the base of the avocado tree.

Fronting the panax hedge in alternating plantings are flowering red and pink ginger and ti leaves of various colors. Upper right: raised veggie and herb beds. Foreground: ʻaeʻae ground cover around the base of the avocado tree. Hailama explained the rock borders will prevent a weed whacker from cutting the plants. He designed the new garden for ease of maintenance.

 

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View of the front entry from the street. Paths meander around the calamansi tree (foreground), sweet potato and aloe beds (middle ground), and the kou tree. The trees are pruned to resemble lollipops. You can see the windows of my second-story studio.

Weʻre looking forward to a carpet of green grass in the back. The brown lath will extend down from the deck. the "keepers" are the avocado tree, left, and the mango tree, at right.

We’re looking forward to a carpet of green grass in the back. DH went to buy grass seed today. The brown lath will extend down from the deck for a nicer backdrop for the border of colorful ti. The “keepers” are the avocado tree, left, and the mango tree, at right.

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Curving steps

Hailama took great pride and pleasure in designing the curving steps to the mango tree. One of the large rocks is a piece of coral that he found while digging the surface. The steps leading to the banana are also coral!

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Coral rocks found on site

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One of several sitting stones

The rest of the story is that ours is the first property that Hailama has completely re-landscaped. He said, joyfully, “I am making this garden as if it is my own! This is the best one I’ve done!” Indeed, it is Hailama’s Garden. What a beautiful, extraordinary labor of love. The creatures love it. We love it. Our visitors will love it. Hailama is our angel, our new friend, and DH and I are so blessed and so very thankful! Mahalo piha, a hui hou, mālama pono!

(Copyright 2015 Rebekah Luke)





Windward Artists Guild Membership Show

6 10 2015
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Like a sentinel, this stoneware pot is one of two similarly shaped by Windward artist Soares.

In art news: The Windward Artists Guild that I joined this year has installed its Membership Show at Hoʻomaluhia Botanical Garden Visitor Center in Kāneʻohe, Oʻahu. Entrance to the Garden is at the end of Luluku Road.

The public may enjoy the exhibit until the end of October, from 9 to 4 daily. The best time to meet the artists will be this Friday, October 9, from 5:30 to 7 p.m. at a reception. Art collectors and appreciators, take note!

William Zwick, director of the Zwick Academy of Fine Art, juried and will be awarding 1st, 2nd, 3rd, and two Honorable Mentions.

The pieces include images of nature predominantly—flowers, landscapes and seascapes of windward O‘ahu that logically inspire artists who live here. Oil, watercolor, paper, batik, wax, some clay—you’ll find a range of media.

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Welcoming entry

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The Exhibit Room at Ho‘omaluhia Botanical Garden’s Visitor Center features changing exhibits monthly.

Here are the two paintings of mine that Mr. Zwick picked for display:”Waipao” and “Clouds Lifting Over Lanihuli.” I’m pleased. Thank you!

“Waipao”

“Clouds Lifting Over Lanihuli”

 





Essence of Honokaʻa

5 09 2015

For me, Honokaʻa is a place for healing, the feeling of being whole. We all need healing every day. I went there again a week ago, and these images are the essence of my time there. Can you feel the love?

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Copyright 2015 Rebekah Luke





A memento from me to you of the Prince Lot Hula Festival

18 07 2015

Perhaps you have chosen to spend your precious weekend at the Prince Lot Hula Festival today and tomorrow, July 18 and 19, at Moanalua Gardens in Honolulu. Good choice! The link above explains details.

“Kamaipuupaa” by Rebekah Luke

It is taking place as I write. I hope you will love this spot as much as I do. Would you like a beautiful and long-lasting memento of the experience?  For yourself, for a special gift for a friend or a favorite hula dancer, or for your kumu hula?

My image of the hula mound Kamaipuupaa, painted in 2013, is available as a giclée reproduction from an original oil painting in two sizes: 16″ x 12″ and 20″ x 14″. I have five in stock and would love you to have one of them. They are made with LUCIA pigment ink on Lexjet Sunset canvas. Each is $150.00 and ready for framing.

Please contact me at rebekahluke@hawaii.rr.com if you wish to purchase. I will happy to work with you and advise you on framing, if you wish. Mahalo!





Working in a new art medium — tissue-paper collage

29 06 2015
Kalo Collage

Kalo Collage

UPDATE: Good morning! Here’s a reminder that our art show is still up and that there is still time to view this fascinating art medium. The club’s dining room is open to the public, so while you’re there you can grab a bite. Bring a friend! Click here for a map.

“Collages & A Bit of Clay,” an exhibit of original art work curated by Susan Rogers-Aregger, is on view to August 8, 2015, at the Honolulu Country Club Gallery, 1690 Ala Puumalu Street, Honolulu 96819. There are more than 60 works in the show, including these three by yours truly. The public is invited to meet the artists at a reception from 5 to 7 p.m. on Sunday, July 5.

My unique collage paintings are created with tissue paper that I dyed by hand, glued to canvas, then scraped and carved with a knife for the design while being careful to not poke a hole in the canvas!

“Bromeliads” © 2015 Rebekah Luke

“Mango Season Not Pau”

Copyright 2015 Rebekah Luke