Art in the reading room

7 07 2016

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The main branch of the Hawaii State Library on 478 S. King Street at Punchbowl street, downtown Honolulu, is the venue for a showing of art by the Windward Artists Guild. The works of sixteen artists, including me, are represented here in the Reading Room through July 29. It’s a tight show; all of the pieces are pictured in these two photos. Juror Richard Duggan awarded Wendy Roberts the top prize for her triptych, pictured below.

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My father brought me to this library nearly every weekend. It was a 45-minute car ride from Wahiawa in those days when I was a child. A library rat, he loved the periodical room and non-fiction. I explored the juvenile section and, when I was older, the stacks. I pored over the scripts of musical shows and was fascinated by the collection of music scores. I found the Hawaii and Pacific collection, and that became my favorite. All of that is still there, although the card catalog drawers have given way to computers, and the green-painted Adirondack chairs in the central courtyard are long gone. Funny how my art has brought me back to the enjoyment of reading ink-on-paper books.





Tide Lines

5 07 2016
"Tide Lines," 18" x 36" Hand-dyed Tissue-paper Collage on Canvas Panel, by Rebekah Luke

“Tide Lines,” 18″ x 36″ Hand-dyed Tissue-paper Collage on Canvas Panel, by Rebekah Luke, 2016.

This is the collage I most recently completed, varnished, and signed. It’s reproduced small here, but the actual piece measures 18″ x 36″. I’m working more with tissue paper collage than with oil paint these days, though I am giving private oil painting lessons to one student this summer. She remarked, “I can’t imagine giving up painting forever, can you?” “Actually,” I thought to myself but didn’t say out loud, “now I can.”

Just as the tide flows in and out, so does my health. Some months ago with physical pain in my right wrist, a doctor asked, “What do you do?” I replied, “I’m a fine art painter.” He bluntly said, “Stop painting.” Can you imagine? I couldn’t. But I gradually gave in. I stopped painting. I stopped computering on my laptop so much. I stopped texting with my thumbs.

Then I started making art with tissue paper that I hand dyed in Susan Rogers-Aregger’s class. Painting with paper, if you will. The motions of applying glue with a flat brush and carving with an X-Acto knife differ from the motion of holding my oil painting brush overhand, I observed. My wrist got better.

Now, when I demonstrate with paint on canvas just once a week for my student there is a hint of soreness, the pain returns. I asked my physical therapist how this happens all of a sudden. The answer: years of repetitive motion. And yes, it’s been a lot of years!

 

 





Windward Artists Guild mounts summer show in Honolulu

1 07 2016

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Two of my Kaneohe Bay paintings are on exhibit Monday through Saturday, July 1-29, at the Hawaii State Public Library Reading Room, 478 S. King St., Honolulu.

Hours are 10 a.m. to 5 p.m. Monday and Wednesday; 9 a.m. to 5 p.m. Tuesday, Friday, and Saturday; and 9 a.m. to 8 p.m. on Thursday.

It’s part of the Windward Artists Guild Summer Show. The art works were juried by Richard Duggan, whose current work involves the research, development, design, and production of large educational exhibits.

You are cordially invited to the Artists Reception from 4 to 6 p.m., July 7, to view this group show and to meet the artists!

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“At Anchor, Kaneohe Bay,” 16″ x 20″ oil, © Rebekah Luke

"Bayfront," 18" x 24" oil, © Rebekah Luke

“Bayfront,” 18″ x 24″ oil, © Rebekah Luke





Family time and touring with adult siblings

30 05 2016

The third leg of the trip “abroad” was a visit to Pennsylvania where DH Pete’s sister lives and his brother works.

(For the first and second legs, please head back to rebekahstravels.wordpress.com for my travelogue.)

The siblings were born four years apart. Their parents planned it that way for the purpose of affording college tuition. The one other time they toured together as adults was in 2004, after both parents died in Winter 2003. We arrived to spread Dad’s remaining ashes on Memorial Day and went back to the geographical middle of the state and found the family farm of yore.

So last week’s reunion was a special occasion. Penny and Paul took time off from work, and Paul drove in from New Jersey. We were honored.

I am not going to bore you with the family dynamics because every family has them. Suffice it to say that everyone was on their best behavior, and we didn’t discuss religion or politics! 😉

We had fun touring several visitor attractions in the area. Here are the pictures.

The Wharton Escherick Studio in Malvern, PA, work place of the late artist, is open as a small museum showing his architecture, wood furniture, sculpture, and two-dimensional creations. Escherick was a master of free form design.

Stone, wood, and stucco comprise three sections of the artist's studio built in increments as they were needed.

Stone, wood, and stucco comprise three sections of the artist’s studio built in increments as they were needed.

 

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Color was mixed into the stucco for the tower. The fresco design represents sky, trees, and tree trunks. A free form deck emerges in the back and to the right.

 

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Workshop painted the color of the workers blue jeans, left, and the garage at right.

The boys were in heaven at the C. F. Martin & Co., Inc., factory in Nazareth, PA, where 250 new guitars are made every day. The fabrication, assembly, and finishing is done by human hands as well as by robots. But how does a Martin guitar sound? Visitors get a chance to play them.

Paul and Pete, two boys in a candy store, try out the Martins.

Paul and Pete, two boys in a candy store, try out the Martins.

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Winterthur is the mansion of the late Henry Francis du Pont. There he founded the premier museum of American decorative arts. Du Pont collected whole room interiors of period design and re-installed them in his own home. One time we visited at Yuletide, and the rooms were decorated as they would have been during the particular period. Very pretty! Only some floors are open for tours. There is just too much, impossible to see all of it. My favorite room was the Chinese Parlor where the wall covering was paper, hand painted in China.

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Longwood Gardens is the must-see for everyone, and particularly appreciated by horticulturists, landscape architects, and lay plant lovers. Beautiful! Everything at their prime. Like Winterthur, it’s impossible to see all the acreage. DH wanted to see the Italian water fountains, and I enjoyed the views of blooming rhododendrons along the way through Peirce’s Woods, named after the family who owned the land prior to Pierre du Pont, who maintained the designed of the “rooms,” as he called the gardens within a garden.

Plein air painters enjoy lots of subject matter

Plein air painters enjoy lots of subject matter.


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Italian Water Fountains

 

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Peirce’s Woods in bloom

 

Brother Paul treated us to a private tour of Philly Shipyard where he works. It is perhaps the largest builder of new commercial ships (like Matson container ships vs. military ships) in the US. Small pieces of steel are welded to larger pieces that are welded to even larger pieces, etc., until the vessel is finished and launched. They are humongous.

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I have to give a special shout out to Richard, Penny’s fiancé, who allowed us to ride with him in his pick-up to the Saturday-morning garage sales in Phoenixville and Collegeville. The hunt is his passion. Although the pickings were slim Memorial Day weekend, he found me a pair of brand-new Eddie Bauer shorts for a dollar. Just in time as Spring had turned to Summer in just a couple of days with temps reaching 90 degrees F.!

In between the visitor attractions we spent quality time catching up about our respective families (kids and grandkids) as well as seeing old and new friends. Hoagies, Thai food, and delicious home-cooked meals by Penny and Paul with ingredients from the fabulous Wegmans megastore…I have to mention those.

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Pete, Penny, and Paul

Pete, Penny, and Paul

Thanks Penny and Paul for your hospitality. We had a great time. Now I’m back in Kaaawa, Oahu. It’s great, too.





Validation of an artist

4 04 2016

People who make fine art often work alone. Like writers and composers, they start with a blank canvas and require solitude to put their ideas down. Sometimes, when they think they have taken their work as far as it can go and prior to publishing, they work with a team. Working with others helps artists to develop a thick skin because one is surely to receive criticism, constructive or not.

When an artist is brave enough and has the guts to put work on display for others to see—others besides family and close friends—that is a milestone. The next step may be to price the art. Imagine: someone may want to purchase it!

Along the way, colleagues and mentors will help. Mine, Susan Rogers-Aregger, taught me everything I know about finishing paintings so that they are ready for exhibit, how to market art, and how to manage a gallery. I am so very grateful. Yesterday, her tutelage reached another high point with the opening of the group exhibit “Collages and Clay” in Kāneʻohe, Oʻahu.

 

A sparkling collage painting and ceramic masks by Susan Rogers-Aregger greet visitors to new exhibit

A sparkling collage painting and ceramic masks by Susan Rogers-Aregger greet visitors to new exhibit at Ho‘omaluhia Botanical Garden.

 

A dozen artists, all influenced by Susan who also works in clay, combined their hand-dyed tissue paper creations and pots for an exciting display. Friends and family came to celebrate at the reception. No longer alone, we met each others’ human support system and became better acquainted with the lives of the rest of the team.

 

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My sister artists and new friends at the opening reception—Hiroko, Maite, and Dottie. The fat cat in the background is my creation entitled “Living Large.” It has sold!

Bob and Tommy of The Band Tantalus entertained guests with acoustic sounds. Warm to cool palettes grace the gallery walls.

Bob and Tommy of The Band Tantalus entertained guests with acoustic sounds. Warm to cool palettes grace the gallery walls.

 

By the way, artists love sales. A sale for one is a sale for all! Selling our work is how many of us make our income, and it is wonderful encouragement to keep going. Thank you!

Recently I received two emails, sent separately by two individual buyers who photographed my work in their homes and shared the images with me, to show me how they used my paintings in their decor and their artistic eye. That kind gesture took why we make art to another level of appreciation and enjoyment.

If you go— “Collages and Clay” runs through April 29, 9 a.m. to 4 p.m. at Ho‘omaluhia Botanical Garden Visitor Center, entrance at the end of Luluku Road, Kāneʻohe, Oʻahu.

Copyright 2016 Rebekah Luke




Water lilies in paper

18 03 2016

Aloha studio fans, art patrons and appreciators! I’m taking this, my latest creation, to exhibit at Hoʻomaluhia Botanical Garden for the month of April.

Water Lilies in Paper, 18″ x 24″ hand-dyed tissue paper on canvas, copyright 2016 Rebekah Luke

The opening reception for “Collages and Clay at Hoʻomaluhia” is from 1 to 4 pm, Sunday, April 3. Entertainment by The Band Tantalus. Please come!

This is a newish art medium for me, a departure from landscapes in oil paint after 25 years. I hand-dye the tissue paper with my colleague and teacher Susan Rogers-Aregger at her workshop (it takes a small crew). Folks say they prefer the collages because of their translucence and vibrancy of color. I like the way the technique lends itself to abstract images. What do you think?





The kiss

14 02 2016

❤ I will always love you. Happy Valentine’s Day. ❤ This is “Il Bacio” from Rome, Italy. ❤ ~ Rebekah

Il Bacio, the kiss, a modern bronze sculpture by Fanor Hernandez in the courtyard of Museo Nazionale Romano, September 25, 2013

Il Bacio, the kiss, a modern bronze sculpture by Fanor Hernandez in the courtyard of Museo Nazionale Romano, September 25, 2013.

Rebekah Luke photo