Lava

18 05 2018

Aloha Studio Fans and Lava Junkies!

You all are following the current volcanic event at Kilauea on the island of Hawaii, right? Right?! It is the longest eruption there since 1924! Here is my recommended link to an awesome 24-minute video by the USGS geologists at Hawaii Volcanoes Observatory. “Kilauea Summit Eruption: Lava Returns to Halema‘uma‘u” is a calm and scientific explanation of the eruption. Let me know how you like it.

https://youtu.be/gNoJv5Vkumk

I, for one, am so very inspired by our Earth’s creation of new land. Gonna make art now!

— Rebekah





Breadfruit Ma‘afala

20 04 2018

While the inspiration for my latest art was a leaf from the Ma‘afala breadfruit tree outside my window, the finished pieces look little like the actual plant.

The leafy model

My medium—hand-dyed tissue paper collage—lends itself to abstract images. It is tricky to determine the final color of a section that has been layered with the tissue, and the final result is rarely what the artist had in mind in the beginning. When stuck in the creating process, my teacher the late Susan Rogers-Aregger would say, “Glue another paper over it!” But because of all that, surprising results of color and luminescence can be had.

Several folks commented they liked a preview of the finished collages that I posted as photos on social media just before I took them to the frame shop. I was so excited to finish and show them. I admit they were a tad tacky from the final varnish. Framers don’t like that, but this time it was darn near dry!

The actual dimensions are 22″ x 28″ each, and the two were designed as a diptych to hang together, yet each panel can stand alone. I started with a palette of greens and reds and soon changed it to  a triad of complementary colors: violet, green, and orange. I haven’t even given the collages a title yet. Hmmm, maybe it will be “Breadfruit” and “Ma‘afala.”

Pattern

Dried and fallen





Ultra art in downtown Honolulu

7 03 2018

The second floor lobby at Pauahi Tower in Honolulu, at 1003 Bishop Street, is home until August 3 for a selection of original fine art by local artists.

The location is convenient for downtown office workers who might walk over during lunch hour for some quiet visual meditation.

The lobby with its high ceilings and window walls lends itself to large pieces. Consider that my “large” contribution of “Royal Archival Banyan” in oil is hanging in a beautiful koa display case.

Display case features both two- and three-dimensional works.

Glass case containing 2D and 3D art reflects high-rise downtown parking garage for a fourth dimension.

Unusual art that caught my eye were a collage by David Friedman, and three smaller pieces: a fish and a couple of decorated fishing floats.

Collage art by David Friedman

Spheres, one a former fishing float.

Fish

Windward Artists Guild and Wendy Roberts organized the exhibit entitled Ultra Exhibit I. Katherine Love was the curator.

For information about purchasing any of the art, please email Wendy Roberts at wag@windwardartistsguild.org

If you go: Alii Place parking garage has reasonable fees. Enter from the right hand lane of Alakea street between King and Hotel streets. Pauahi Tower is one block from Alakea on Bishop street.

—RL





A show that celebrates peace and calm

6 01 2018

The Hoʻomaluhia New Year Invitational 2018 art show opened today with works depicting—you guessed it—Hoʻomaluhia Botanical Garden! At the base of the Koʻolau Mountains on Oʻahu, the park’s natural beauty is a “can’t miss” subject for any artist.

Go to the visitor center main gallery between 9 a.m. and 4 p.m. any day this month through January 26 to view an inspired collection of works, including two of my oil paintings pictured below. Many are for sale. Greg Pai is the juror.

The public is invited to a reception from 4 to 6 p.m. on Sunday, January 14.

Hoʻomaluhia means “let’s make peace and tranquility.” Enter the park at the end of Luluku Road in Kāneʻohe.

Mahalo for taking an interest in art! ~ Rebekah

“Clouds Lifting Over Lanihuli” reveal fresh waterfalls. 20″x 16” oil on canvas by Rebekah Luke

“Rain Fantasy,” 24″ x 18″ oil on canvas by Rebekah Luke





The art goes on on the Windward side

3 10 2017

The Windward Artists Guild’s current exhibition at Hoomaluhia Botanical Garden’s Visitor Center main gallery features the visual art of 49 of its members through October 28. It is open from 9 am to 4 pm daily.

A reception will be held from 4 to 6 pm on Saturday, October 21, when visitors may meet the artists.

The entrance to the garden is at the end of Luluku Road between Pali and Likelike highways in Kaneohe, Oahu.

It’s beautiful show.

My “Royal Archival Banyan” (top center) is making the gallery rounds, but this is the first time with the Windward Artists Guild.

Paper collage is among the variety of art media.

“Birdsong” in stoneware by Dagmar Kau

Intriguing 3-dimensional works

“Stormy” raku ceramic by Barbara Guidage

Many of the art works are for sale. Contact Cynthia Schubert at c_schubertrichmond@hotmail.com

I love this whimsical triptych “Les Trois Parapluies” by Cindy Mochel-Livermore. Too bad it’s NFS.

 





The Bathhouse (Kaʻaʻawa)

15 08 2017
“The Bathhouse (Kaʻaʻawa)” oil on canvas by Rebekah Luke. Private collection.

This photo arrived in the email today. What a surprise and a thrill! “How much is this painting? My mom wants to know. She got it in 1991,” the inquirer wrote.

There was a photo of the back of the painting on which I wrote “1991,” but on looking at my record book, I saw that the painting (no. 29) was purchased in 1993 by a nice couple of Kaʻaʻawa who collected memorabilia of our town.

Some years afterward I looked for the buyers to ask if I could make a digital photo of their painting and was told they had moved. But now, I have a photo!

I told Tj*, who emailed me, the amount I sold the painting for, and to whom, and the average price of my paintings today. (Watching “Antiques Roadshow” on TV, I really should raise my prices! 😉)

The painting was part of a series of images of all the manmade public structures in Kaʻaʻawa, including the two bridges. They were unveiled at Swanzy Beach Park where park director Patty Greene had the kids hand paint and put out a sandwich board sign that read simply “Everybody Come.” I still have that sign. Minnie Akiona from the Kaʻaʻawa Country Kitchen across the highway brought over a tray of Chinese noodles and other refreshments.

Then the pictures were shown at an exhibit entitled “Painting the Town” in conjunction with the play “Chicago” at Diamond Head Theatre. Some of the paintings were bought by neighbors, and at least two pieces of the collection (the 8 a.m. flag raising in the school yard and the bookmobile) are hanging in the Kaʻaʻawa school office because the principal bought them.

So much for no. 29. My most recent oil painting “Glass Full of Daisies” was no. 202. I sent it to Texas in June as our wedding gift to Aunt Ross. It’s good to keep records, and I am happy to provide the provenance of an art piece.

* Epilogue: Tj emailed back to say her mom is the daughter of the original purchasers of “The Bathhouse…” and that the painting is still hanging in the house.

~ Rebekah Luke





Making your mark

2 08 2017

“Making Your Mark” is part of an artist development workshop series developed and taught by artist-author-educator Emily McIlroy in Honolulu. I attended on July 30, and the following are my reflections. Interested persons may contact info@emilymcilroy.com to ask about future sessions.

Workshop venue

“Making Your Mark” was thought provoking and caused me to wonder how to think out of the box when making art.

In the future instead of looking at my past work to discover if I subconsciously included a mark, I plan to intentionally start creating a mark based on ideas, feelings, and themes that I am attracted to; yet going with the flow during the process and allowing for chance. Experimentation.

For many years and until recently I painted Hawaiian landscapes in oil — impressionistic representationalism in green hues. (As I write this I realize the skill of painting green has been my mark!) Injuring my wrist from the repetitive motion of applying paint to canvas (I suspect) caused me to take a rest from that activity. 3D pieces, big installation art, and manipulating fabric into fashion would take me out of my comfort zone and are three areas I might explore.

• I like the idea of working on more than one art piece simultaneously in the studio, with a mark being a unifying theme and the end result being a body of work.

• I like the notion of an exhibition that is read three ways–the overall view (such as the photographic long shot), the art works themselves (medium study), and the artist’s statement (a close up). It causes me to wonder whether it is more efficient to start with the artist’s statement before creating the art pieces.

The workshop ideas are applicable to all the arts, I feel, not only the visual arts. Pen and paper were all that were needed to make notes, but not even that was necessary as Emily McIlroy offered a complete PowerPoint presentation and accompanying handout.

The notes I made were my brief observations of my own thoughts during the four hours. The small class made for intimate discussion; I was pleasantly surprised to have already been acquainted with three others out of our total seven attendees who I met in the art world previously. The 4-hour workshop with breaks was perfect for my needs, although I did not know that going in.

Thank you, Emily McIlroy, for offering this workshop. I recommend highly these workshops to my drawing and painting students and anyone interested in elevating their particular art.

© 2017 Rebekah Luke

 








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