Six degrees of separation among cousins in the Islands

8 06 2014

I got a Facebook message late last week from Boyd, who wrote, “Hey cousin, my wife and I will be on island for a wedding this weekend, and probably cruising your coastline Sat. AMish . . .” 

Yes, yes, I’ll be home, please stop by, here’s how to get here, etc., etc. Boyd and I have called each other “cousin” since we met at Iole in North Kohala for my family reunion (mom’s side) in 2012. Boyd is a folk historian and a wonderfully engaging storyteller. I’d asked him to tell our group about what life might have been like in the old days, and what he knew of the Chinese immigrants; and he wanted to hear our stories to add to his repertoire. We gathered at Kalahikiola Church near the old homestead where my mother and her 14 siblings grew up before the clan moved to Oahu.

After becoming acquainted we declared ourselves calabash cousins because his ancestors employed my ancestors, living on adjoining land divisions—Iole and Ainakea on Hawaii island. My aunties told me the children played together between the properties on both sides of a gulch.

Yesterday Boyd came to my island to visit me, and I felt like “Mom” was coming, so DH and I tidied up to make the studio presentable. I wasn’t sure exactly what time he and his wife Becky would arrive, so I planned lunch for four. I thought of the old days before the Information Age when families would call on each other, traveling distances to meet, to talk story (as we say in Hawaii) and catch up on all the happenings. These visits have evolved into Sunday night family dinner for many of us.

Yesterday’s Saturday lunch was a lot of fun. They did arrive just in time for lunch. We ate lupulu—a Samoan treat baked with taro leaves, corned beef, onions, tomato and coconut milk. We had poi, sweet potato, alae salt, Cathy’s inamona (Hawaiian kukui nut relish), and Joe’s chili pepper water.

Boyd and my DH, who you recall is a volunteer docent at the Bishop Museum, traded information on Hawaiian history while we women dutifully listened to stories we’d heard before. I heard Becky mention she was more comfortable with bodies and energy, that she left the storytelling to Boyd,  so when there was a break in the conversation I asked Becky, “Are you a healer?”

Boyd answered, “Yes, she is!” So with my experience as a Reiki Master and hers as a massage therapist and Healing Touch practitioner, we hit it off, and I was able to hear about the wonderful healing environment going on in Kohala.

Continuing to talk about people and places we knew throughout the afternoon, we revisited the family reunion Welcome Dinner two years ago held at Kahua Ranch and hosted by the owner Monty and his new bride Elly. They had invited our family over. “How do you know Elly?” Boyd asked.

“She’s my first cousin,” I said. “Her father and my mother were siblings.”

“Well, then,” Boyd gleamed with a twinkle in his eye, “we really are cousins — through marriage!” Indeed. It turns out that both he and Monty descend from common ancestors.

Copyright 2014 Rebekah Luke

 

 





Let me escort you on a fine art tour

10 05 2014

Counting the number of places to exhibit my art is like counting my blessings. All of a sudden my calendar is full. I’m excited to share my summer “fine art tour” of fresh, new work with you. If you have never viewed my paintings in person, this season offers multiple venues. Mark you calendar. My “tour” starts this afternoon, just in time for Mothers Day!

"Kalo Collage," 15" x 30" hand-dyed paper on canvas. $385.

“Kalo Collage,” 15″ x 30″ hand-dyed paper on canvas.

“Collages & A Bit of Clay at Ho‘omaluhia.” A jewel-like showcase of collages and fine craft items. 2D and 3D works by sister artists Joy Ritchey, Dorothy Brennan, Hiroko Shoultz, Barbara Guidage, Susan Rogers-Aregger (who wrote the book on paper dyeing and collage), and me! These are my two very first collages and the most recently completed art pieces of mine. At the Visitor Center Lecture Room at Ho‘omaluhia Botanical Garden, end of Luluku Road, Kaneohe, Oahu. Daily through June 30, 2014, 9 a.m. to 3:30 p.m. Free admission. The items may be purchased off-site by making arrangements with Susan, phone 808 395-4702, email sraoahu@hawaii.rr.com.

"Hydrangea Collage," 30" x 15" hand-dyed paper on canvas. $385.

“Hydrangea Collage,” 30″ x 15″ hand-dyed paper on canvas. Sold.

 

 

 

 

 

 

 

 

“The MAMo: Maoli Arts Month Silent Auction.” A bonus opportunity for attendees of the MAMo Wearable Art Show at the Hawaii Theatre, downtown Honolulu, up in the Weyand Room, Wednesday, May 21, 2014. Please contact the theater box office for more information about the evening fashion show.

"Heliconia in Vase," 14" x 18" oil on canvas board, to the highest bidder

“Heliconia in Vase,” 14″ x 18″ oil on canvas board, silent auction item

"Red Trunks," 16" x 20" ink on canvas giclée reproduction, re-marked and re-signed, to the highest bidder

“Red Trunks,” 16″ x 20″ ink on canvas giclée reproduction, re-marked and re-signed, silent auction item

“The MAMo Native Hawaiian Arts Market.” Native Hawaiian artists and craftsmen wrap up Maoli Arts Month at the Bishop Museum, May 24 and 25, 9 a.m to 5 p.m. Entrance on Bernice Street in Honolulu. I will bring to market my inventory of original oil paintings and selected giclée reproductions. This is a chance to meet many other Native Hawaiian artists, watch some demonstrations, and support their work. $5 reduced price of admission for kamaaina (Hawaii residents) and military with valid ID gets you in to the market and all museum exhibits. This is a deal!

“Ko‘olauloa Hawaiian Civic Club Diamond Emerald Anniversary.” Brunch, Hawaiian music entertainment, and silent auction. Turtle Bay Resort, Kuilima, Oahu, June 14, 11 a.m. to 2 p.m.  I am placing two landscape paintings–one of Ko‘olauloa and one of Ko‘olaupoko—into the silent auction. Individual tickets to the 90th anniversary party are $100 per person. Please contact president Ululani Beirne, 808 237-8856, or Francine Palama, 808 341-9881, for tickets.

"Kamehameha Highway and Kaaawa Place," 16" x 20" oil on canvas, at auction

“Kamehameha Highway and Kaaawa Place,” 16″ x 20″ oil on canvas, silent auction item

 

"Heeia," 24" x 18" oil on canvas

“Heeia,” 24″ x 18″ oil on canvas, silent auction item

Beginning Oil Painting Lessons by Rebekah Luke. I have scheduled my Painting I course for adults starting June 21, and extending through Oct. 25, 2014, at my physical studio in Kaaawa, Oahu. Twelve sessions on selected Saturdays, 10 a.m. to 3 p.m. Lessons generally follow those taught by the late colorist Gloria Foss. Tuition is $300. Cost of materials and supplies is additional. Those who have this on their bucket list, please email rebekahluke@hawaii.rr.com for complete details.

“Pacific Cup Craft Fair.” Come visit my booth at this event held in conjunction with the Pacific Cup yacht race from San Francisco to Kaneohe. Kaneohe Yacht Club, 44-503 Kaneohe Bay Drive, Kaneohe, Oahu, July 25, 9 a.m. to 2 p.m. Images of beautiful Kaneohe Bay.

"Bayfront," 18" x 24" oil on canvas board

“Bayfront,” 18″ x 24″ oil on canvas board

 

So many blessings! Thanks for coming along on my tour! ~ Rebekah

Copyright 2014 Rebekah Luke

 

 





I thought it was finished…

27 04 2014

… until I looked at it again in a different light. Even my teacher said it was “pau” (finished) when she saw the first photo of it on Facebook.

When I brought the collage to the next studio session for a group critique, we stared at it from a distance and under a skylight. The consensus was to strengthen the value of two areas on the bottom.

So I did, and to me the change made a more successful and more attractive piece.

Isn’t that true of life? Sometimes we ponder and struggle to make things just so, willing to put others’ opinions above our own, but the something isn’t quite right. Something about it bothers us.

Then, by letting it rest and revisiting it from a different angle in a new light, we notice just a small tweak here and there brings the subject into focus.

 

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The “before” — a collage from my hand-dyed paper

 

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“After” I added darker pink tints of paper at the bottom. It’s a subtle change that shifts the viewer’s focus.

Copyright 2014 Rebekah Luke




A nostalgic banana pie

6 04 2014

Yesterday I went to visit Kay, my first cousin Roger’s recent widow, to see if she was okay and to offer help. I rang the doorbell and knocked on the front door. No answer. So I sat down on the porch and dialed her number. “I’m here.” She asked me to go around the left side of the house and up the steps to the back entrance.

Those red concrete steps. A sudden flash of memory. A two-year-old’s memory. I lived there until I was two! I remember going up and down those steps with my mother. This was Uncle Kiu’s house on 6th avenue, that backed up to the house my parents and I lived in on 7th avenue.

My mother didn’t drive, so she either walked or took the bus with me in tow, several blocks down the hill to Kapahulu avenue where all the shops were. She also carried me back up that steep hill, I remember. I also remember the butcher reserving the end piece of char siu for me.

So from our house, we took a short cut through the back yards and past Uncle Kiu’s on our walk. Somewhere I have a photo of me on those steps, and perhaps that is how I am able to remember those occasions.

Then we moved to Wahiawa next door to Uncle Harry and Aunty Edna on Kilani avenue for a change in climate and lived there until I was 12. Today I got to thinking about my childhood and my relatives and Uncle Harry’s wonderful two-crusted banana pie that he often baked.

Hey, are there any bananas in the kitchen this afternoon? Yes! I decided to make Uncle Harry’s pie.

Warm, fragrant banana pie with flavors of cinnamon, nutmeg, lime, and butter. Mmmm...

Warm, fragrant banana pie with flavors of cinnamon, nutmeg, lime, and butter. Mmmm…

Copyright 2014 Rebekah Luke




Feel lighter, spring forward

5 03 2014

Mercury is out of retrograde, I can tell. My spirit is better. I started to Spring-clean the studio today, de-cluttering and rearranging the furniture, props, and inventory to make room for something new, although I don’t know yet exactly what. It feels good. This happens every once in a while, usually after the Winter holiday, when my surroundings are such that I can barely move. It’s a good time to get rid of what no longer serves me, so I can turn the page, so to speak. I challenge you to take similar steps forward.

Rebekah's Studio 2014

I created a new desk area against this window for the first time! Studio props for my still life classes are out in the open for easy access. The desk is a six-foot folding plastic table dressed up with a soft, textured blanket. From here I enjoy cooling trade winds and a small view of the ocean.

A new print rack displays my repros professionally below "My Corniglia," an image I made of the Ligurian coastline. Studio props for my still life classes are out in the open for easy access.

“My Corniglia,” an image I made of the Ligurian coastline, hangs above a new print rack that displays my art reproductions professionally. DH built the tasteful picture frame that happens to be a design repeat of the hardwood chairs.

Copyright 2014 Rebekah Luke




Understanding Georgia O’Keeffe

19 02 2014

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Hey, studio fans! Tomorrow is my usual painting day with my group out in the landscape. Since being sidelined with a temporary medical issue in December that forced me to cancel many activities and plans, I haven’t painted a stroke. DH brought a pot of tulips for St. Valentine’s Day, and Tamsen softly suggested I paint a still life. Curiously, I have never seen a tulip blossom like the one I photographed above. So I’ve been thinking about picking up my brush. If not tomorrow, then soon. What do you think?

Copyright 2014 Rebekah Luke





Remembering the Manoa Falls Trail

4 02 2014


Sloshing rain puddles/
Feeling like a kid again/
Muddy, barefoot, soaked.

Ponding, waterfalls/
Scents of wet green earth surround/
Warm island winter.

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Copyright 2014 Rebekah Luke