A little piece of paradise . . .

8 09 2010

. . . AND SOME HAWAIIAN PLACE NAMES

Not only am I lucky to live in Hawaii, I’m lucky to live in Hawaii to go sailing!

This past Labor Day DH and I spent most of the day on Kaneohe Bay off Oahu with our good friends Ken and Georgia aboard their 38′ sloop Mariah.

We sailed with main alone, and not having a headsail up meant wider unobstructed views of the shore. This is the view from the bow after leaving the yacht club mooring and passing Moku o Loe (aka Coconut Island). Puu Ohulehule is the triangular peak on the left, and the peak and ridge named Kanehoalani is about 10 degrees to port (left) of the bow.

We’re headed toward Ahu o Laka, a 3.1 acre islet off Kahaluu popularly known as “the sandbar” that is awash at high tide. It’s a popular destination for boats and various water craft on weekends and holidays, and last Monday it was a “zoo!” We opted to sail on by to a quieter spot farther north to anchor for lunch and some kayaking before continuing on to Hakipuu and Kualoa.

Passing the sandbar, from left, Georgia, DH, and skipper Ken. The hill beyond the sandbar in the distance on the left is Puu Hawaiiloa.

Kaneohe Bay is full of reef and shallow areas. In addition to spotting the white reef stakes, the red and green channel markers, and noticing landmarks, local knowledge is a must for piloting one’s way to where we were going. No worries, skipper Ken knows the way!

We sailed among a herd of honu (turtles), big ones. Every few minutes we passed another one. Fresh breeze, calm sea. What a lazy afternoon!

Honu enjoying the habitat of Kaneohe Bay

Soon we could make out Mokolii . . .

Mokolii

. . . and some activity at Hakipuu and Kualoa.

The tallest peak and the ridge extending diagonally left to right from the peak down to the flat land are Kanehoalani. The ridge points to Puu Hawaiiloa across the bay. Hakipuu is on the left of the ridge, and Kualoa is on the right.

Sailing in to Hakipuu beneath majestic Puu Ohulehule. Local knowledge required. We're careful to not run aground!

Ken tells us this little piece of paradise in Kaneohe Bay is just like Tahiti. You wouldn’t have known it was Labor Day weekend.

Copyright 2010 Rebekah Luke

For another look at sailing on Kaneohe Bay, view the video on https://rebekahstudio.wordpress.com/2010/02/28/flying-moths-over-kaneohe-bay/





Seven island artists paint and show works at Ho‘omaluhia

3 08 2010

Our “If it’s Thursday, it must be Ho‘omaluhia!” public exhibit of paintings opens today at Ho‘omaluhia Botanical Garden visitor center and extends to August 30, 2010. The show displays the works of local artists Alex Weinstein, K.Y. Lum, Naomi Weinstein, Noreen Naughton, Richard Guy, Val Saban, and yours truly Rebekah Luke. The collection looks great!

Photo of me by Noreen Naughton

Every Thursday for the past 10 years, more or less, our group has painted in the peaceful landscape that is Ho‘omaluhia, located at Luluku, at the base of the majestic Ko‘olau mountains in windward Oahu. We come from different backgrounds and for different reasons to enjoy the garden and each other’s friendship.

This the first exhibit of paintings for four of our group. All but one of the 42 works in oil and acrylic may be purchased, with prices ranging from $75 to $2,800. Most prices are reasonable and realistic for original art, so it’s a good opportunity to start or add to your collection. Interested buyers should contact the artists directly (lay away plan of installments considered), as no sales transactions are permitted on the city property.

How we met (excerpt from catalog)

In the 1990s, art professor Noreen Naughton frequented Europe with summer abroad courses. K.Y. Lum, a psychiatrist, and his wife took the “Drawing in Italy” tour, visiting Rome and Tuscany to take in Renaissance art in hill towns and obscure churches. When they went a second time to Italy, Naomi and Alex Weinstein joined Noreen’s group. Alex, an architect, is a good sketcher, and Naomi, a retired educator, was a ceramist.

They all went with Noreen again to paint in France, “Following the Path of the Impressionists” from Amsterdam to Paris.

K. Y. Lum

Naomi Weinstein

Alex Weinstein

Richard Guy

When they returned to Hawai‘i they continued to paint with Noreen in the landscape. Ho‘omaluhia Botanical Garden became a favorite venue. K.Y. and the Weinsteins are the only ones from Noreen’s original group who continue to paint together on Thursdays.

The others: Val Saban, former international trader and industrialist, lives in the same building as K.Y., and the two swim together.

Rebekah Luke (that’s me) who studied painting with the late Gloria Foss, and K.Y. are first cousins. Richard Guy, retired chief justice of Washington state and a local arbitrator and mediator, joined the group after being introduced by Naomi who is in the same book club as his wife.

Val Saban

Noreen Naughton

If you go (and we hope you will)

The park entrance is located at the end of Luluku Road in Kaneohe, Oahu. The art will be on view every day from 9 a.m. to 4 p.m. through August 30, 2010.  Exception: The park is closed on Aug. 6 and 27.

Thursday is the theme. You can meet the artists at a punch-and-cookies reception on Thursday, August 5, from noon to 2 p.m. Most of us will be there on the other Thursdays in August in the mornings only.

Allow time to enjoy the rest of Ho‘omaluhia Botanical Garden’s plants, trails, picnic areas, lake, camp sites, and overall Hawaiian tropical scenery.

Thanks for visiting!

Copyright 2010 Rebekah Luke




Now, today, this moment

28 07 2010

Waiting for information, I received an email from Beverly this morning. It contained the article below by Lauren C. Gorgo, who published it yesterday, Tuesday, July 27, 2010. So far the policy at Rebekah’s Studio is to publish original writings of my own, but Lauren’s message resonated with me greatly. I am re-publishing it here, with permission, in hopes that it may assist visitors to the the studio. I invite you to come with me. As Beverly wrote to me, “Hang in there!” ~ Rebekah

The Active Death Zone-doorway to the other side By LAUREN C. GORGO ThinkWithYourHeart.net

In the last energy update I mentioned that July 26th was a powerhouse of a portal and that we are approaching the end of the end.

Today, the unseens are adding that the whole week is a powerhouse…that we are journeying through a very important (translation: challenging) week and that if we are aware of what is transpiring, the journey to the other side will be much easier to travel.

“For those who understand this passage fully, this can be a time of great release and purification. Let yourself feel the expansion and freedom of the present moment knowing that all is exactly perfect in your world.” -Pleiadians

Apparently this week is a ginormous passage and one that will result in great expansion coupled with the completion of many wayward elements of our past.

We are seemingly in what feels like an active death zone.

Similar to a physical death, and right before rebirth, we must first release all emotional attachments to get to the other side where love will abound in greater measure. Because of this necessary detachment process, this week we are being “encouraged” (aka: forced) to let go of any and ALL expired elements and remaining attachments so we can fully access the next level of our personal creations.

This basically means that whatever we are still holding on to will be in our face this week showing us exactly what we need to neutralize in order to pass go. The unseens are calling this passage a check point of sorts, designed with the purpose of stripping us of anything left that is not authentic and true.

So no, it’s definitely not looking like an easy week, but a necessary and divinely ordered one in order to pass over from this life to the next. The one thing we do have going for us seems to a be well-designed protective field of apathy that is enabling us to transition with some semblance of stability. Kind of like we are emotionally unplugged from a life that is ending so we can plug into the one that is beginning.

Because of this emotional disconnect…and since the full moon on Sunday…you may be suddenly dealing with some major fears or unresolved emotional issues, but while somehow able to maintain balance, peace and objectivity.  A welcomed gift if you ask me.

I also think this is what the Spiritual Hierarchy was referring to in the last transmission when they said:

“The realization of this momentous event can be heralded through your subtle, but growing ability to stabilize in these incoming and unprecedented frequencies as you find the increasing capacity to remain in a state of emotional calm, despite the intensity that surrounds you at this time.”

How to Pass Go

With detachment always comes the need for great mental discipline. Not that we will be tested persay, but we will need to pull this well-honed tool out of our arsenal of spiritual supplies to help us transition with the greatest ease possible.

Much of our lives we have been running from that which causes us pain, allowing ourselves to remain in a state of paralysis from our fears and now…through this powerful gateway (and tons of soul work)… we finally have the opportunity to free ourselves from these expired energies and fully realize our potential to create despite the many external circumstances that threaten to derail us.

And that is what this week will be for…to test our skills in holding our center despite those deep emotional triggers that will come up for us to deal with (if they haven’t already).  If we can achieve this, if we can walk through this VERY narrow doorway, fully present and completely void of an agenda, we will experience a major shift on many levels.

How to Deal

I am being given 3 key requirements to pass through this gateway with ease:

1) Let go, let go, let go…then let go some more. Anything that keeps you emotionally bound will challenge you greatly.

2) Stay Present. Allow yourself to find and keep the mental space required to surrender fully into each moment. If you slip into past (woulda, coulda, shoulda) or future (what if?) thinking, you will be met with great suffering. Stay with each moment as it arrives.

3) Allow what is to BE… without resistance. Free yourself of dross by realizing that all is perfectly well in this and every moment. Release yourself of the responsibility (attachment) of all others while fully understanding that their path is unique to them as yours is to you.

Above all, we are being urged to remember that to complete this journey, there is only one thing left that is required of us…full presence in love.

This passage is all about BEing…being free, being clear, being present, being authentic, being love.

After so many years of purifying, love is really all that is left and all that we will take with us…but not love in the form of attachment, love in the form of true freedom.  This week will ensure that we are well equipped to completely let go in love.

And if ever it was mandatory to listen to your inner guidance, that time is definitely now!

“Release your fears, release your worries, release your guilt, release your feelings of incapability. You are being guided through this with the utmost care and protection and if you love yourselves fully and completely, this gateway will open wider than the heavens to welcome you home!”

See you on the other side…
Lauren
ThinkWithYourHeart.net

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Copyright © 2009-12. Permission is granted to copy and redistribute this transmission on the condition that the content remains complete and in tact, full credit is given to the author(s), and that it is distributed freely.

End of Lauren C. Gorgo’s article. Thank you.




The story of the boat lei

21 07 2010

Every two years in July about 50 sailing yachts compete from San Francisco Bay to Kaneohe Bay for the Pacific Cup, “the fun race to Hawaii.” It’s organized and hosted by Pacific Cup Yacht Club in Northern California and Kaneohe Yacht Club in Hawaii. The boats have handicap starts and sail under the Golden Gate Bridge and across the sea to arrive around the same time, hopefully, and in time for the parties ashore on Oahu.

Delicate Balance arrives at Kaneohe on a cloudy afternoon. Two boat lei welcome her.

Many years ago I became the volunteer chair of the Boat Lei committee for KYC. I’m affectionately known as the Boat Lei Lady! A boat lei is a giant 12-foot garland of fresh, tropical foliage to greet and honor the vessel that carried her skipper and crew safely across the ocean.

Some call it a bow lei because it is attractive draped over the front end of the boat. Because most of the Pacific Cup yachts tie up stern to, we renamed it boat lei. It may be fastened anywhere as a decoration. The custom of presenting the lei has become a Pacific Cup tradition.

It takes many hands to make the boat lei for this event. The finished products are beautiful works of art and much admired. Event organizers inform the racers, family and friends they may pre-order the lei so it’s ready for their favorite boat when it arrives.

Last Friday, Saturday, and Sunday my crew made 45 boat lei! Many thanks to Michael and Bobbi for the promotion in California and for handling the sales from the e-store. That was a big help. Thanks to Kaneohe Yacht Club for lending the workspace. And, of course, mahalo (thanks) to all the lei artists for their remarkable team effort. Some KYC members also pitched in, and we are grateful for their contribution.

Haleaha finishes her 12-foot lei made with variegated Song of India clusters and red ti leaves

How do we make the lei? And how are we able to make so many? I’ve been asked. I will tell you! But first a little history and a funny story.

LITTLE HISTORY. In the early years I worked with  members of Hale Kuai Cooperative, a Native Hawaiian organization, to design the basic lei. We wanted cut foliage that would hold up in the sun, rain, trade winds, and salt air and look pretty for at least a couple of days in the elements.

We settled on lai (say LAH-EEE, leaves from the ti plant), lauae (say LUH-AU-AY , a fragrant yet sturdy fern … Phymatosorus scolopendria, syn. Microsorium scolopendria), and multi-colored croton leaves. Our friend Kapa showed us how to use floral wire to bind the foliage; she learned the use of wire from her kumu hula. And Aunty Havana, who is a master at making hat lei, showed how to combine everything into lovely creations, once she figured out how to translate small to big. The lei became a product of the Co-op.

Green and red ti leaves. When picked from the stalk, they are called la‘i.

In more recent years, I have partnered with Koolauloa Hawaiian Civic Club to supply the boat lei. Volunteer members and friends gather the plant material from their gardens and from the mountains, donating the material and their time to the project. Other members and friends, who are artistic and enjoy lei making, work professionally as floral designers for a few days and assemble the lei.  The net proceeds from the sale of the lei provide scholarships for Native Hawaiian club members and/or their children.

Clover's lei

FUNNY STORY. The very first year of my boat lei experience, we made the lei fine, but I had not given any thought to delivering the lei. I was so involved in providing a product that it did not occur to me that the boats would arrive at any time of day or night, 24/7. OMG! It was too late to organize any shift work.

Pekelo's lei. Yellow-and-green croton and red ti provide accent color among the other greenery.

DH (Darling Husband) has a sailboat moored at the yacht club. He and I monitored the ETAs, and for an evening arrival, we would catnap on his little Mugquomp and wake up as the radio crackled to announce a boat had crossed the finish line. As we climbed out of our bunk and put on our jackets, for it was cool and a little rainy, we were fascinated and impressed by the radio conversation between Iwalani of the Escort committee and each arriving yacht. In her very calm, reassuring, professional, and gracious way, Iwalani gave the information and instructions on how to enter and come down the channel (with coral reef on both sides) to the dock at night. We had enough time on foot to greet the boat with a big lei.

DH and I were very short on sleep that year. Someone later suggested that we arrange for the Leis and Trays committee to deliver the lei. Brilliant! That committee is much larger and greets the boats with Hawaiian music, lei and mai tais for the captain and crew. Why not the lei for the boat too?

HOW TO MAKE A BOAT LEI

The style of the lei is known as wili (say WEE-LEE), meaning to wind. We wind by hand—one must have strong hands to tug—using wire instead of a natural twine or raffia traditionally used to make a hat or neck lei. Wire allows us to put the work down and makes it easier on our hands. Our lei are 12 feet long, but shorter lengths make lovely bouquets, wreaths, and table decorations. Allow enough time to gather & prep the materials and make the lei. It takes about two hours to make, excluding time to gather.

Each artist has his/her “line,” so do not worry that your lei does not look like someone else’s. It won’t. The variables are selection and placement of the plant material as well as the available supply of the greenery and flowers. Here is the basic way to construct the lei.

Ti, lauae, and red ginger combo

Materials to make one 12-foot lei:

1 kaau (which is 40) each of ti leaves, lauae, croton leaves. Be sure to leave about 4 inches of the stem on. The stems provide the slightly stiff backing for the lei. Do not strip the mid-rib from the ti leaf.

A few tropical flowers—such as, heliconia, red ginger, bird of paradise, bougainvillia clusters—with 6-inch stems to intersperse throughout the lei (optional)

One 24-gauge paddle wire from the floral supplier or craft store. One paddle is enough for one and a half lei, or approximately 18 feet total.

String to tie on the finished lei to the boat

Gloves (optional) to protect hands from croton stains

33-gal. plastic trash bag (optional)

Ululani's lei

Tools:

Work surface such as a table or floor, hand clippers, scissors, spray bottle of water

Step 1. Gather and prep materials by sorting by color and size, cleaning, and bundling.

Step 2. Pick a palette of 3 or 4 types of leaves if you have a wide choice. Include ti and lauae in your palette.

Step 3. Take the tip of a large ti leaf and turn it under to meet the stem, shiny side out, bending it in half but not creasing it. Fasten the tip to the stem with the wire, winding it around the leaf 5 inches from the ends. Begin winding about 5 inches from the beginning of the wire, securing both the ends of the leaf and the wire together. Grasp the two ends of the leaf and the end of the wire with one hand (if you’re right-handed, use your right hand), and wind the wire with the other hand, going around about 5 times. Be sure to pull the wire taut. This is the start. You will use one continuous length of wire and not cut it until the end (unless the wire accidentally breaks).

Step 4. With the tip of the ti leaf facing up and pointing toward you, place a lauae leaf on top with stem pointing toward you. Wind the wire around 1/2 inch down from your start 3 times, again pulling taut. Next add some croton in the same way, 1/2 inch down. Then add another ti leaf. This grouping forms your pattern.

Step 5. Repeat Step 4. Alternate placement right and left, if you wish, to cover the sides. With each addition, come down about 1/2 inch. Remember to pull the wire taut as you wind so that your lei does not come apart.

Keep the width of the lei the same by checking the sections you did earlier. If your lei is getting wider (this is common with beginning lei makers), allow less material to show or leave more space as you add. Just be sure your wire is wound every 1/2 inch, catching all the stems. From time to time, turn your lei over to examine the back. Hold your lei up with one hand and give it a good shake to make sure it is secure. From time to time, spray the lei with water to keep it fresh.

Step 6. After the lei is the desired length, end it by winding the wire around itself about 10 times. Snip wire with scissors. Tie string with a square knot to the lei at 4 or 5 points as a way to fasten the lei to the boat.

Step 7. Keep the lei cool until ready to decorate. A cold air-conditioned room is ideal. Mist with water.

Step 8 (optional). For transporting or brief storage, roll the lei into a wreath and place in a 33-gallon plastic trash bag. Leave an opening for the lei to breathe.

And that’s the story of the boat lei. Enjoy your creation!

Copyright 2010 Rebekah Luke




If it’s Thursday, it must be Ho‘omaluhia!

9 07 2010

View of the Ko‘olau Mountains from Ho‘omaluhia

My painting group and I are busy putting together an August exhibition of our artwork at Ho‘omaluhia Botanical Garden Visitor Center in Kaneohe, Oahu. It opens on August 3, with a punch-and-cookies reception on August 5 (Thursday) from noon to 2 p.m. If you are in the area, please come to see it! If time permits, see the garden too. You may click on the garden link above to read about the garden, and on the link below for details of the art show. – Rebekah

CLICK FOR THE INVITATION





Touring Kauai

30 06 2010

Aloha everyone!

Been gone. I went holoholo (driving) on Kauai with DH and his sister Penny’s family from Pennsylvania. Two days and one night. Six people, one van.

Kalalau Valley

From Lihue Airport, around the island in a counter-clockwise direction the first day to the end of the road at Kee Beach; then clockwise to the end of the road (PuuoKila lookout) on the second day, touring the highlights most first-time visitors see.

My camera of choice for some time now is the iPhone 3G version 3.1.2. Hope you enjoy my unaltered photos and that they inspire you to create!

Fern Grotto at Wailua River

Old Kilauea Lighthouse - a national historic landmark. The surrounding area is a national wildlife refuge.

Endangered nene (native Hawaiian goose) (Branta sandvicensis)

Hanalei Valley with loi kalo (taro gardens)

Hanalei Bay and sailboats

Maniniholo Dry Cave

Kee Beach

Northwest Kauai from Kee Beach

Alekoko (Menehune Fishpond)

Waimea Canyon. I see their faces now.

In the clouds. When we arrived at the ma uka lookout to Kalalau Valley, we looked out to a sea of white, waiting patiently until the clouds lifted to reveal the valley and the surf far below (see top photo)

Copyright 2010 Rebekah Luke




Changing it up and the alumni art show

6 06 2010

Before releasing students for the holiday break from Art Center College of Design in Pasadena, where I received intense training in photography, the head administrator sat us down for a little chat.

He advised putting the camera away and treating ourselves to viewing and experiencing other forms of art for inspiration and stimulation.

The program was such that one’s creative juices were pretty much dried up by the end of the term. Five studio courses, 10 concurrent assignments due in two weeks at any given time, photo lab work until 10 pm six nights a week, and frank critiques. If one attended fresh out of high school with no college academics, then those classes were mandatory at night in addition.

Why, you might wonder, did I pick this school, in my 30s even. Because I admired several of its alumni who mentored me when I worked alongside them at the magazine. They were professional photographers at the top of their game, and I came to realize their training influenced the way they were, not just as photographers but as people.

To write blog posts, I like to examine any ongoing themes in my life. I wonder, is now a time for reorganizing? Remembering the art school advice to change it up, today I’m taking stock and reporting the other art forms I’ve experience in the past month or so.

A trip to the lighting showroom. I’m conscious of light: the amount of light, its direction, its quality. Lighting was not my strong suit in art school in that lighting a scene or set with artificial light was challenging. I did learn enough to recognize lighting differences, though I couldn’t always execute them, and I learned the lingo. I know what I like and don’t like about light, and I can tell you why. When I learned to paint, I learned more about the logic of light.

This month, after living a long time dissatisfied with a certain light bulb and dated fixture where I live, I am ecstatic that DH agreed to let the professionals fix the lighting deficiencies and non-design in our home. A trip to the lighting store and a very pleasant consultation with the designer Adir resulted in a solution that is a compromise between husband, wife, and pocketbook, but everyone is happy so far. It’s fun to look at an array of light fixtures, design catalogs, and photo books of interior design.

Moonlight Mele on the Lawn concert. Saturday night’s program of performing arts at the Bishop Museum featured the Tau Dance Theater, Kaukahi, John Cruz, Halau Mohala Ilima, Samadhi Hawaii aerial silk trapeze, and Ledward Kaapana. Each performed first-class numbers. Three of the groups were new to me, impressive and enjoyable. With summer here there are lots of concerts to choose from. Besides taking in the music, I noticed things like the visual form of the dance, costuming, lighting (again), sound, logistical set-up, and audience reaction.

Alumni art show. This isn’t the first year of an alumni art show at my high school, but it is the first time I’m exhibiting there. It’s open just a few hours during the alumni kick-off event this coming week and a couple of hours during the luau itself. I am planning to work the show, taking a look at other alumni artists’ artwork. Today I delivered the new still lifes, all at special Punahou alumni reduced prices. If  seeing the show June 10 or 12 interests you (the event represents about 30 artists), please contact me, and I will get back to you with information.

Going to Kauai. Plans to entertain visiting relatives include a trip to Kauai. It’s a brief two-day, one-night whirlwind tour of the island, and we’ll all be tourists. It has been so long since us local folks were last there. Hey, it’s summertime! You have to go somewhere!

Garden maintenance. Might sound boring and too much like work, but this is a type of meditation for me. Since pruning the hedge, I’m thrilled to see the ocean and the sky from the studio. The shorter hedge is in better scale for our lot and the street, there’s more air and light for both us and the neighbors, and more sunshine for the vegetable garden. In the renewed view plane ma uka (toward the mountains) I now see the fruit trees in the landscape beyond as well as two lava rock faces in the mountains.

Loving a parade or two. Kamehameha Day is observed this Saturday, June 12, from 9:30 a.m. to 1 p.m. with the annual floral parade, but I heard the route is changed from previous years. It will start on Ala Moana near Fort DeRussy and go in the ewa direction, turn right at Punchbowl street, then left on King street to Iolani Palace. This parade is the best opportunity to see the pau (pronounced pahh-oo) riders, women on horseback representing the various islands of Hawaii with their colorful skirts and elaborate floral lei. DH and I will put in some community service with Koolauloa Hawaiian Civic Club in the hot dogs-and-hamburgers booth on the palace grounds. The following day, June 13, I’d love to take in the Pan-Pacific evening parade, from 5 to 7 p.m. as it processes through Waikiki down Kalakaua avenue.

It’s a good time to change it up. I’ll see you!

Copyright 2010 Rebekah Luke